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Here’s how you can disable cookies in common browsers:
1. Google Chrome
Open Chrome and click the three vertical dots in the top-right corner.
Go to Settings > Privacy and security > Cookies and other site data.
Choose your preferred option:
Block all cookies (not recommended, can break most websites).
Block third-party cookies (can block ads and tracking cookies).
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Open Firefox and click the three horizontal lines in the top-right corner.
Go to Settings > Privacy & Security.
Under the Enhanced Tracking Protection section, choose Strict to block most cookies or Custom to manually choose which cookies to block.
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Open Safari and click Safari in the top-left corner of the screen.
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Open Edge and click the three horizontal dots in the top-right corner.
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For Safari on iOS: Go to Settings > Safari > Privacy & Security > Block All Cookies.
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Consider what your bookshelf might look like if you were to remove every book that has been translated—every Homer, Sappho, Rumi, Li Po, Szymborska, Neruda, or the Bible. Imagine removing every book by an author whose work has been influenced and shaped by a translation. Exceptional literature needs exceptional translators to bring it to life in a new language.
The University of Connecticut Humanities Institute (UCHI) is proud to announce World Poetry Books (WPB) as a new collaborative initiative with Dr. Peter Constantine, professor of Literatures, Cultures, and Languages at the University of Connecticut (UConn). Based at UConn, WPB is the only publisher in the United States dedicated solely to publishing books of international poetry in English translation. As a press, our goal is to champion poets and translators from all stages of their careers by creating new communities of readers both inside and outside of the university. We believe every language has its Walt Whitman, its C.P. Cavafy, or Anne Carson, yet most world poetry—especially poetry from underrepresented languages—remains under-published and undiscovered. Our mission is to publish and promote books of vital world poetry from languages other than English. We invite our readers to celebrate the art of translation, so essential to the vibrant circulation of words and ideas. To find out more, and to purchase books, please visit us at: www.worldpoetrybooks.com
University of Connecticut Humanities Institute (UCHI) is co-sponsor of the 2019 “Unprogramming Asian American Studies” Conference on October 5-6 at UConn Hartford (Harford Times Building, Room 145). The conference is focused on “rethinking the futures of Asian American studies within and without programed home. Click herefor further information and detailed conference program.
Current Professor of Anthropology at the University of Connecticut and former Humanities Institute (UCHI) faculty fellow (2013–2014), Sarah S. Willen, has a new book out entitled Fighting for Dignity: Immigrant Lives at Israel’s Margins (University of Pennsylvania Press, 2019). UCHI is joining UConn Human Rights Institute and the Center for Judaic Studies and Contemporary Jewish Life to host a book launch and discussion with migration studies scholars Tally Amir of Harvard University, Heide Castañeda at University of South Florida, and Jennifer S. Hirsch at Columbia University. The Launch is free and open to the public and will take place on Thursday, October 17, 2019 from 4–5:30PM in the Babbidge Library Heritage Room (4th floor).
Whether it’s beach season, the fiftieth anniversary of the first moon landing, or our daily proximity in Connecticut to vast bodies of water in only partly predictable motion, there are plenty of reasons right now why you should read Tides: The Science and Spirit of the Ocean by Jonathan White (San Antonio, TX: Trinity University Press, 2017). But the most important is that it’s a wonderful book. White offers an all-too-rare example of a narrative that brings together science, art, and the humanities in a way that is much more than the sum of their parts (and never less). The art is mostly in the writing. Unpretentiously beautiful, it effortlessly weaves together complex science, cultural history, ecology, and even the engineering and economics of generating electric power, with compelling vignettes of the author’s close encounters with his subject, and the lives of those who rely upon it for their survival. Which is, ultimately, all of us; but White is particularly sensitive to the experience of indigenous peoples across the globe, who are frequently both custodians of ancient oceanic knowledge and the first casualties of climate change. He brings to bear decades of experience as a sailor, surfer, and conservationist, to offer a vision that is passionate but never preachy. So read it now, before all too soon you’ll have time only to think about grading papers and shoveling snow.
– Alain Frogley, DPhil Associate Dean, School of Fine Arts & Professor of Music History
University of Connecticut
Who is Alain Frogley? Alain Frogley is a native of Great Britain and holds degrees from Oxford University and the University of California at Berkeley. He has taught at Oxford and Lancaster universities and in 1994 was appointed to the faculty of the University of Connecticut. He is a specialist in the music of the late-19th and 20th centuries, particularly that of Britain and America, but he has also worked on the cultural contexts of musical nationalism. His most recent work includes research into the reception of British music in Nazi Germany and racial Anglo-Saxonism in music. In 2005–2006 he was a fellow of the American Council of Learned Societies.
Maria Monk’s Awful Disclosures Reconsidered: From “Me Too” to “Fake News” in the Rise, Fall, and Resurrection of an Anti-Catholic Genre, 1845-1960
Daniel A. Cohen, Department of History, Case Western Reserve University September 25, 2019 (UCHI Conference Room: Babbidge Library, 4th Floor)
Contrary to the conventional view of Awful Disclosures (1836) as a great triumph of antebellum U.S. nativist propaganda, Maria Monk’s bogus account of sexual abuse, torture, infanticide, and murder in a Canadian convent was actually a disaster for the anti-Catholic cause. Despite its sensationalism, Monk’s exposé struggled to match the extraordinary sales of Rebecca Reed’s earlier Six Months in a Convent (1835); and, after being utterly debunked in 1836–37 as “fake news” by that era’s “mainstream media” (reputable secular and religious newspapers), it was not reprinted again in the U.S. until 1855. More broadly, the public exposure of Maria Monk as an outright fraud largely discredited the entire convent exposé genre, dragging down Reed’s far more credible narrative with it. Only during the century after 1860, did Maria Monk (who had died in disgrace in 1849) complete her posthumous comeback. By the early 1900s, huge numbers of anti-convent narratives, including Awful Disclosures, were being churned out by specialized nativist and anti-Catholic presses based in such cultural backwaters as Aurora, Missouri, and Milan, Illinois, which catered to the tastes of rural Protestant traditionalists and other bigoted, prurient, or unsophisticated readers. These widely dispersed nativist publishers—at least one of whom also peddled stereopticons, slide shows, and even motion picture projectors—constituted a massive communications empire apart from the “mainstream media,” arguably foreshadowing the rise of right-wing talk radio, Fox News, and white nationalist websites in our own time.
The Digital Humanities & Media Studies initiative of the The University of Connecticut Humanities Institute (UCHI) will co-sponsor a lecture by Annette Vee, associate professor of English at University of Pittsburg, entitled “Algorithmic Writers and Implications for Literacy.” Her talk will take place on Wednesday, October 2 at 2 PM in the UCHI Conference Room (Babbidge Library, 4th Floor). Annette Vee is also the director of the Composition Program at Pitt, and is involved in various initiatives that connect the humanities, digital media, and computation. She is also the author of Coding Literacy: How Computer Programming Is Changing Writing (MIT Press, 2017). Other co-sponsors of this event are the Aetna Chair of Writing and the Neag School of Eductation’s Reading and Language Arts Center. Below you will find the abstract for Vee’s talk.
“Algorithmic Writers and Implications for Literacy”
Writing today is inextricable from computation: we write on and for computers. But computers are no longer just word processors or distributors of our writing. Algorithms, which enter our lives through computers and crowd our writing spaces, affect what we write, who reads it, and how. Algorithms read our emails in order to write our emails. They correct our grammar, they can summarize and simplify texts, and they choose what we read online. If you write on or with computers (and you do), your algorithmic coauthors influence what you write and how you write it. Algorithms are more active agents than pencils or coffeeshops—other materialities that affect our writing processes—and they have complex relationships to the humans who produce and use them. What is literacy when it’s learned, performed, and subjected to algorithmic writers? And how should literacy be taught in the context of ubiquitous algorithmic writing? In this talk, Annette Vee will describe contemporary scenes of algorithmic writing, place them in the history of literacy and computation, and present some implications and applications for literacy learning now.
Kristen Vitale is one of the Early Modern Studies Working Group’s New Co-coordinators and received a travel grant last spring to conduct research at the
Folger Library
This past July I participated in the Folger Orientation to Research Methods and Agendas Skills Course. The Library hosted twenty-six scholars from around the world to develop “a set of research-oriented literacies,” navigate the archive, and enhance our understanding of early modern book history. I left the Folger with thorough knowledge of the promised objectives and so much more. I now have a better grasp on my intended thesis project, refined paleographic proficiency, and a range of research skills that will aid in developing my ever-looming dissertation. I also gained a number of professional and personal relationships which formed with such ease that I, along with many others, viewed our meetings as pure serendipity.
Guillim’s Book on heraldry
We entered the program with research topics that ranged from the Middle Ages to Milton. My work investigated the changing codes of conduct in the early Henrician tournament to gain insight into the transformation over time in the courtly spectacle. I had a pretty straight-forward objective when I began the program: explore and, in a way, prove that the cultural evolution of the tournament from 1485 through the Henrician Reformation followed the decline of chivalry and the flourishing of Renaissance codes of “gentlemanly” conduct. This is a long-term project, thus to make the most of my week at the Folger I began by examining manuscripts concerning chivalry in martial combat. Notably, the “Questions of honor and arms,” translated by Thomas Bedingfield (c. 1580, originally an Italian treatise on Renaissance dueling laws and customs, entitled De duello, vel De re militari in singulari certamine by Peride del Pozzo c. late 1470s), John Guillim’s “Book on heraldry” (c. 1560), and “The statutes and ordinances of the Order of the Garter” (c.1517-1559) contributed to my understanding of idealized codes of chivalric conduct and knighthood in the early modern world.
Bedingfield’s Questions of Honor and Arms
To further my newfound knowledge of Henrician chivalry, I headed to the Folger’s modern stacks and stared in awe at the historiographical compendium at my fingertips. I requested a range of secondary sources, such as Francis Henry Cripps-Day’s The History of the Tournament from England to France, Leon Gautier’s Chivalry, Diane Bornstein’s Mirrors of Courtesy, and a collotype reproduction of The Great Tournament Roll of Westminster with an introduction by Sydney Anglo. After hours of researching both primary and secondary sources in the Bond Reading Room, I began to realize that the chivalric code itself changed between its inception to the sixteenth century. This realization was exciting, but it also complicated my entire theory. After a defeated sigh that was loud enough for those at my table to hear, followed by a collective muffled laugh, I accepted my first real lesson in the art of letting the sources guide my project.
Collotype reproduction of The Great Tournament Roll of Westminster
My findings were only part of the successful trip; each day was packed with a number of fun and beneficial activities. These ranged from directions on how to handle, describe, and observe rare materials to guided instructions on how to use the Library’s search engine, Hamnet. Some events were interactive by breaking us into groups to explore and share our research, while others were instructional round-tables on the history of the book and bookmaking. One of my favorite activities was practicing paleography and writing in Tudor secretary hand, followed by making (and writing with) our own quill. Finally, regardless of our busy schedules, the Folger staff made certain that we made it to three o’clock tea each afternoon.
It is impossible to describe my experience in this program without mentioning its participants. There was an obvious chemistry in this group of scholars; we immediately became an intellectual community that supported each other’s scholarly pursuits and fostered the palpable, instantaneous friendships that emerged. This warm environment was encouraged by the Folger staff who patiently answered our sometimes random inquiries and enthusiastically welcomed us into the glorious world of the Folger Shakespeare Library.
The week went by much too quickly, and as I said farewell to Capitol Hill I recognized that this program greatly impacted my academic self. I made research breakthroughs, learned invaluable information about the early modern world, became part of a brilliant intellectual community of scholars, and new friends, from around the globe, and gained confidence in my abilities to network in the academic sphere. For this I cannot thank the Folger staff enough. The Folger Orientation to Research Methods and Agendas Skills Course is an absolute must for scholars who are looking to advance their academic career, expand their early modern network, entrench themselves in the wonder of the Folger archives, and discover a sense of their academic self, which the Folger staff and program participants (even if inadvertently) help you find.
The statutes and ordinances of the Order of the Garter c.1517-1559
The University of Connecticut Humanities Institute (UCHI) joins UConn Institute of Africana Studies to host The Colson Whitehead Faculty Reading Group, dedicated to a discussion of Whitehead’s latest novel The Nickel Boys. This discussion is the latest installment in UCHI’s “Publishing NOW” series and will take place at the UCHI conference room on September 19, 2019 from 4:00 to 6:00 PM. This reading project will be followed by a UCHI-sponsored public presentation by Whitehead on September 26, 2019 at 4:30 PM at the Konover Auditorium in the Dodd Center.
The University of Connecticut Humanities Institute (UCHI) joins UConn Institute of Africana Studies to host The Colson Whitehead Faculty Reading Group, dedicated to a discussion of Whitehead’s latest novel The Nickel Boys. This discussion is the latest installment in UCHI’s “Publishing NOW” series and will take place at the UCHI conference room on September 19, 2019 from 4:00 to 6:00 PM. This reading project will be followed by a UCHI-sponsored public presentation by Whitehead on September 26, 2019 at 4:30 PM at the Konover Auditorium in the Dodd Center.