Get to Know Our Fellows: Four Questions with Robert T. Chase

-What is your academic background and what is your current position in UCHI/at UConn/Your Home Institution?

Trained as a specialist in twentieth century history and race, I am interested in examining the intersection of social, legal, and political history, African American and Chicano/a history, and the study of civil rights and social justice. I received my PhD in 2009 and my dissertation won the University of Maryland’s EB and Jean Smith award for best dissertation in political history. Previously, I was the public historian for the College of Charleston’s Avery Research Center for African American History and Culture, where I organized a large conference on Black Power. I am currently an assistant professor in the Department of History at Stony Brook University (SUNY) where I am completing revisions on my book manuscript, Civil Rights on the Cell Block: Prisoners’ Rights Movements and the Construction of Carceral States (UNC, Chapel Hill). I am also presently co-editing an anthology entitled Sunbelt Prisons and Carceral States: New Histories of Immigration Detention/Deportation, Incarceration, and Resistance (UNC, Chapel Hill).

 

-What is the project you’re currently working on?

My forthcoming manuscript, Civil Rights on the Cell Block: The Prisoners’ Rights Movement and the Construction of Carceral States (UNC, Chapel Hill), addresses the contemporary crisis over criminal justice reform by posing three historical questions: 1) how did the United States come to have the world’s largest carceral state; 2) what have been the sources of resistance to America’s carceral state in the post-civil rights era (1965 to present); 3) what is the political relationship between the two?

My book will be the first study of the southern prisoners’ rights movements of the 1960s, 1970s, and 1980s and the subsequent construction of what many historians now call the era of mass incarceration. This project is therefore a regional study of civil rights cases across the American South, but the book’s narrative is centered on the social movement that resulted in the landmark case Ruiz v. Estelle, which was a massive omnibus lawsuit that demanded that Texas outlaw the practice of having inmates act as openly armed guards. This southern trustee/guard system was a hierarchical racial regime that constituted a vicious sex trade in which convict guards were given the tacit approval from the prison administration to use their power to rape other inmates and engage in the buying and selling of inmate bodies as a sexual commodity that signified cultural standing and societal power. As a regional model, the Ruiz case inspired prisoners across the South to wage a historically mindful public campaign for visibility that sought to convince the courts and the wider public that southern prisoners suffered terrible abuses as twentieth century “slaves of the state.”

My manuscript shows that this inmate civil rights rebellion, while successfully ending the existing system, failed to make conditions in Texas prisons more humane. As a result, the new Texas prison regime — one that utilized paramilitary practices, promoted privatized prisons, endorsed massive prison building programs and tolerated gang-related warfare — established a new prison system that reaffirmed its law and order focus while sublimating the legal and human rights of prisons. This new “Sunbelt” carceral approach, I conclude, became exemplary of national prison trends.

 

-How did you arrive at this topic?

When I started this research in the early 2000s, there were relatively few historical studies of twentieth-century prisons and almost none of the prisoners’ rights movement. Despite the development of a “long civil rights movement” historiography, I found that the literature simply did not discuss the ways in which what we now call mass incarceration has turned the gains of the civil rights revolution into another age of racial disparity.

 

-What impact might your work have on a larger public understanding of your topic?

First, historians need to explain how and why the vast expansion of state power as expressed in the massive prison buildup of the 1980s and 1990s occurred without much public debate. Conservative backlash theories have provided one such explanation, but locating the growth of the prison simply in reactionary “law and order” politics fails to adequately explain how it is that the places where the prisoners’ rights movement scored the most victories, namely the South and Sunbelt states, have come to dominate the major trends of the modern-day carceral state. The question of legal success for prisoners’ rights in the South, on the one hand, and yet nearly simultaneous massive prison build-up in Sunbelt states, on the other, is a major historical problem that my forthcoming book will address.

 

Second, the history of resistance to carceral states reveals that regional, state, and local histories are integral to the shape of mass incarceration. By demonstrating how a variety of prisoners’ rights movement resisted mass incarceration, I make the argument that regional histories and different state prison practices constructed not a single carceral state but a variety of carceral states across the American prison landscape.

 

When activists, policy makers, and reformers attempt to curb mass incarceration, they must seek redress not only at the federal level through national legislation but perhaps more importantly they must encounter the ways in which policing and mass incarceration are governed at the local and state level where the American state is indeed strong. One suggestion that my forthcoming book offer is that social justice movements against mass incarceration should continue to focus as much attention on changes in local and state government as the civil rights movement once did when it sought civil rights as a matter of national and federal intervention. To dismantle this encompassing thicket, we must utilize the spade of history to reveal just how deep we must cut to reach the roots of intertwining carceral states.

THE PEOPLE’S INAUGURATION

On Friday, January 20th come join the members of the UConn community as we stand up for the values of human rights, justice, and solidarity.  Together, we will mark the inauguration of the next chapter in American history by embodying the kind of community we aspire to be–inclusive, indivisible, equitable, and democratic–and share the words, poems, thoughts, performances, and insights that will sustain us as we work together.

  For more information follow the link
 
 

 

 

 

Get to Know Our Fellows: Four Questions with Fabiana Viglione

-What is your academic background and what is your current position in UCHI/at UConn/Your Home Institution?

I am a PhD candidate in Italian Literature and Cultural Studies at the University of Connecticut, and a dissertation fellow at UCHI. I received my MA in Italian from UConn and my BA in Foreign Languages and Literatures, with a major in American Studies and a minor in German, from the University of Florence, Italy.

 

-What is the project you’re currently working on?

I am currently writing my PhD dissertation entitled The Sale of Parga in 19th Century Italian Imagery:1815-1856. In my dissertation, I examine the impact of an episode of the Greek War of Independence – the sale of the Greek city of Parga to the Ottoman Turks by the English government in 1819 – on the cultural work of Romantic Italian intellectuals and artists. I place the sale of Parga at the intersection of cultural, political, and historical discourses, and argue that this minor historical event is a prism to chart the major leading forces, tensions, and ideas that coalesced in the formation of Italian cultural nationalism. With this research project, I intend to extend the boundaries of the Italian national movement – also known as Risorgimento – to another national cause (the Greek one) and, by implication, to the larger European geo-political and geo-cultural space, thus shedding light on the transnational aspects of 19th century Italian nationalist culture.

 

-How did you arrive at this topic?

The idea of this project is a shared effort between my advisor, Professor Norma Bouchard, and myself. We were discussing possible topics for my dissertation and I expressed my desire to work on 19th century Italian literature. She suggested that I start by studying what has been defined as “the new historiography of the Risorgimento,” which has re-conceptualized the Italian national movement in transnational terms. The concept of transnationalism fascinated me, and I found particularly stimulating the idea of applying a new theoretical perspective to a topic that, at least in Italy, has been canonized as a foundational moment in the formation of the Italian nation and national identity. We identified in the cession of Parga a case study to analyze Risorgimento literature from this new perspective, thus contributing to the on-going research in this field.

 

-What impact might your work have on a larger public understanding of your topic?

My hopes for this research are to reach scholars of the Risorgimento both in Europe and the US, who are engaged in questions of nations and national identity, Mediterranean studies, transnationalism, and their intersection with personal and collective emotional concerns. The Italian Risorgimento will continue to stimulate a remarkable critical dialogue among scholars, for its peculiar intersection of a number of fields of research relevant to the humanities, such as history, politics, literature, visual arts, social sciences, ethics, and religion. This research project, in particular, due to its interdisciplinary nature that calls forth the core of the humanities and discusses some universal principles, such as nationality, freedom, and political hospitality, could represent a case study to further investigate the development of a Mediterranean identity in the modern era. This issue is particularly relevant to contemporary Italy – and Europe – due to the massive waves of migrants reaching the shores of Italy every day. As a consequence of this phenomenon, contemporary Italy is struggling to redefine and rethink that concept of Italianness created by the intellectuals who promoted the national movement at the beginning of the 19th century.

Supported by UCHI colloquium funding and a generous grant from the Luce Foundation, eight scholars visited UConn’s Storrs campus on December 1-2, 2016 for an intense, scholarly, and creative writers’ retreat.

Thayer Tolles, Metropolitan Museum of Art
Thayer Tolles, Metropolitan Museum of Art.

Writers' retreat
Dr. Alexis Boylan [curator of exhibition, UConn Art History professor and Associate Director of the Humanities Institute] and Peter Rand, grandson of the artist.

Writers' retreat
Professor Chris Vials (UConn) at the right and Prof. Emily Burns on the left.

Writers' retreat
Claudia Pfeiffer.

Peter Rand, grandson of the artist
Peter Rand, grandson of the artist.

The retreat was in preparation for the book and exhibition The Business of Bodies: Ellen Emmet Rand (1875-1941) and the Persuasion of Portraiture set to open October 2018-March 2019, at the William Benton Museum of Art, University of Connecticut, Storrs, CT.

Ellen Emmet Rand was one of the most important and prolific portrait painters in the United States in the first decades of the twentieth century. Her works include portraits of author Henry James, artist Augustus Saint-Gaudens, President Franklin Delano Roosevelt, and over eight hundred other artists, industrialists, socialites, philanthropists, scientists, and politicians. Moving between diverse patrons—from state governors to opera singers—Rand carefully balanced changing social mores and fashions with her clients’ need to project authority, intelligence, beauty, and whimsy through their portraits. She manipulated their bodies to their ends—but also to hers. While early twentieth century portraits of this country’s elites may seem staid and even backward looking, the ways in which Rand negotiated her own career, reputation, press, family, and finances suggest a far more modern, commercially-savvy, and feminist artist than has been recognized.

Interdisciplinary scholars—including Emily Burns, Auburn University; Betsy Fahlman, Arizona State University; Elizabeth Lee, Dickinson College; Emily Mazzola, University of Pittsburgh; Claudia P. Pfeiffer, National Sporting Library & Museum; Susan Spiggle, UConn- School of Business; Thayer Tolles, Metropolitan Museum of Art; and Christopher Vials, UConn-English—had the opportunity to investigate the Rand paintings in the Benton collection and consult the new Rand manuscript collection at UConn’s Archives and Special Collections at the Thomas J. Dodd Research Center.

As Professor Burns noted about the retreat; “Such events should be art history research staples to build community, exchange ideas and overlapping materials, and brainstorm together.” Professor Lee likewise echoed, “…the best part was the discussion that developed among us as scholars as we shared our discoveries about Rand and made connections about her life and work. It was an extremely productive meeting with the themes for our book emerging almost effortlessly thanks to the array of Rand materials available and the in-depth knowledge of Rand that Dr. Alexis Boylan [curator of exhibition and UConn Art History professor] brings to the project. I look forward to continuing to work with this interdisciplinary group of curators and scholars on what promises to be an engaging and overdue study of Ellen Emmet Rand.”

View Ellen Emmet Rand's work here.

Get to Know Our Fellows: Four Questions with Melanie Meinzer

-What is your academic background and what is your current position in UCHI/at UConn/Your Home Institution?

I am a Ph.D. Candidate in the Political Science Department here at UConn, and a 2016-17 Draper Dissertation Fellow at UCHI. I earned my B.A. in Political Science from St. Olaf College in Minnesota, and spent two years studying and working abroad in Norway. I then served as Deputy Head of Political Affairs at The British Consulate-General in Boston, where I covered Middle Eastern politics and developed public diplomacy projects with Boston-area Arab-American and Jewish-American civic groups. I delved further into Middle Eastern politics in my graduate coursework at UConn in international relations and comparative politics. I also began learning Arabic and studied in Morocco on a 2014 U.S. State Department Critical Language Scholarship. My primary research focus is critical international relations theory, which is informed by my research on civil society and social movements in the Middle East.

-What is the project you’re currently working on?

I am writing my dissertation, entitled “Contested Consciousness: Foreign Aid and Education in the West Bank,” which discusses how Palestinian civic organizations use community-based education to cultivate Palestinian identity as a basis for mobilization. Critical international relations (IR) theory and many studies on non-governmental organizations (NGOs) and community-based organizations (CBOs) in the global south maintain that aid-reliant civic groups are beholden to donors, rather than the communities they serve. The general argument is that foreign aid saps civil society’s agency and depoliticizes development. But, I contend that we must also consider that foreign aid for informal education can strengthen communities’ sense of identity, which is essential for political mobilization to occur. My dissertation is based on 43 original in-depth interviews with Palestinian NGO and CBO practitioners, donors, government officials, and 240 original surveys from Palestinians ages 18+ living in the West Bank. I gathered this data during eleven months of field research in 2014 and 2015-16, supported by a 2015 Boren Fellowship and grants from UConn’s Department of Political Science, the Multicultural Scholars Program and the HRI.

-How did you arrive at this topic?

I came to my dissertation topic through my coursework in Political Science. I took a fascinating class with Dr. Jennifer Sterling-Folker (my main adviser) on International Organization & Law, where we discussed the role of non-state actors like NGOs in global governance. When I conducted the pilot study for this project, I was amazed by how the Palestinian civic organizations I interviewed depended on foreign funding, yet were still able to address the concerns of their communities. After that, I designed my larger study to encompass different types of civic organizations (NGOs and CBOs), and assess their impact on Palestinian students. My goal was to theorize NGO and CBO agency at the local level, and to see how these organizations influenced students’ political awareness.

-What impact might your work have on a larger public understanding of your topic?

My project demonstrates that NGOs and CBOs are not merely servants of donor interests, but can retain their grassroots connections through community-based education. Theorizing aid recipients’ agency shows that international intervention can both constrain and empower political action in the global south. Understanding these nuances will help us improve donor-supported development practices meant to build democracy through civil society. More broadly, my project shows that even under repressive conditions, community-based education can empower marginalized groups. The Palestinian case speaks to other contexts across the global south where civic groups rely on external funding, and education plays a key role in group identity and empowerment, including in ethnic communities in the U.S.

Sharon Harris Annual Book Award: Apply by Feb. 15, 2017

Sharon Harris Annual Book Award

UCHI is pleased to announce the Sharon Harris Annual Book Award

Award: $2000

 For a monograph published by UConn Tenure, Tenure-Track, or In-Residence faculty that best demonstrates scholarly depth and intellectual acuity and highlights the importance of humanities scholarship.

Book must have been published between January 2015- January 2017. E-publications, artist-authored books, digital humanities projects, and collaborative texts will be accepted for review. The award committee will not consider exhibition catalogues, translations, collected essays, textbooks, or revised editions.

 

 


Application:

  1. Cover letter (no more than 2 pages) by author of book explaining the value of the book to humanities scholarship
  2. PDF of book AND hard copy (supplied by author)
  3. One internal UConn letter of support (sent directly to UCHI)
  4. One external letter of support (sent directly to UCHI)
  5. Reviews, if available (supplied by author)

 

Send all e-materials (cover letter, PDF of book, support letters and reviews) to: uchi@uconn.edu

Send hardcover book to UCHI, U-1234

Questions? Email: alexis.boylan@uconn.edu

 

All materials must be received by: Feb. 15, 2017

 

The Peoples Inauguration

On Friday, January 20th come join the members of the UConn community as we stand up for the values of human rights, justice, and solidarity. Together, we will mark the inauguration of the next chapter in American history by embodying the kind of community we aspire to be–inclusive, indivisible, equitable, and democratic–and share the words, poems, thoughts, performances, and insights that will sustain us as we work together.
Our Goal:

To provide a space and time on Inauguration Day for members of the UConn Community to come together, listen to each other, and reflect on the values that make our University ours.

Students, faculty, staff and anyone who considers themselves a part of the UConn community are invited to attend and share a short reading (maybe an excerpt from the Universal Declaration of Human Rights), poem (maybe Langston Hughes’ Let America Be America Again), performance (maybe something like this piece), or story (maybe your story).

Our Goal:

To provide a space and time on Inauguration Day for members of the UConn Community to come together, listen to each other, and reflect on the values that make our University ours.

Students, faculty, staff and anyone who considers themselves a part of the UConn community are invited to attend and share a short reading (maybe an excerpt from the Universal Declaration of Human Rights), poem (maybe Langston Hughes’ Let America Be America Again), performance (maybe something like this piece), or story (maybe your story).

Just keep it short (no more than 5 minutes) and affirming on this day of new beginnings.

How It Works:

 

Choose your reading/performance (5 minute max)

then

Sign up for a time now

or

Sign up at the event

and

Come to listen, share, and reflect

 

Fore more information visit the website

 

Get to Know Our Fellows: Christine Sylvester

sylvester-christine-What is your academic background and what is your current position in UCHI/at UConn/Your Home Institution?

My formal academic background is in the field of International Relations, which in the USA is located in departments of Political Science, and elsewhere is often a field on its own. I have spent most of my academic career in regular tenured positions abroad, in Australia (Australian National University), the Netherlands (The Institute of Social Studies, The Hague), and England (Lancaster University), with visiting research appointments at the University of Zimbabwe, University of Southern California, Gothenburg University and Lund University. Currently I am Professor of Political Science and of Women, Gender and Sexuality Studies here at Uconn, in my home state (I am from Milford).
 
-What is the project you’re currently working on?
In recent years I have been associated with critical war studies in International Relations, emphasizing  war as experience rather than war as military strategy, weapon systems, and foreign policy. I am interested in everyday and ordinary experiences with war inside and outside of war zones, and am spending my year with the Humanities Institute researching new ways of apprehending war through war objects and their display. With a focus on the Vietnam and Iraq (2003) wars, I consider objects that are displayed by professional curators at the Smithsonian Museum of American History, by communities of loss at the Vietnam Veterans Memorial and in Section 60 of Arlington Cemetery, and by veterans of the wars who write novels about their war experiences and mention objects they grew attached to or despised in war zones. The project, called Objects of War: Whose Wars Are on View? is, in effect, a three-way recreation of both wars that works through the power of objects to communicate grand stories of national significance about war and countervailing stories about America's recent wars as experienced by a range of ordinary people involved in them.
 
-How did you arrive at this topic?
My field of International Relations has a history of writing people out of war studies. This has never sat well with me, especially after I experienced war in Zimbabwe in the days when the new government of Robert Mugabe sought retribution against people in the southern part of the country who supported a different would-be leader. I was there when the infamous Fifth Brigade of the national army, trained by North Korea, moved into the second city of Bulawayo and started shooting and smashing heads. Suddenly and unexpectedly the locals and I were in a war zone, and that experience early in my career, which I wrote up for the magazine The Progressive (1983), has never left me. While working in the UK (2005-2012) I started a multi-disciplinary and collaborative research project called Experiencing War, with colleagues based in Europe, and that project rolled into an ongoing book series I edit with Routledge (London) on War, Politics, Experience. Several volumes in the series are collections by project participants --the latest is Masquerades of War (2015) --while my own theorizing of war as physical and emotional experiences of collective armed conflict appears as War as Experience (2013). The Objects of War research is an off-shoot of that larger project and incorporates my serious interest in museums as important but often overlooked institutions of international relations (Art/Museums: International Relations Where We Least Expect It (2009) and a longstanding tendency to embed quotes from "fictional" people and tales in works of supposed war facts.
 
-What impact might your work have on a larger public understanding of your topic?
To me it is important for all of us to pay attention to the power of ordinary people to shape international relations and domestic politics today. In the case of war, it is ordinary people who conduct and suffer (and in some cases enjoy or reap benefits from) war. We should not hide the ordinary behind cold abstract terms like "collateral damage," "troops," or "civilians." The current wars in Syria and Iraq are central to the daily lives of everyone there and have become increasingly central to people who live in areas of the world that Syrians and Iraqis seek to enter as international war refugees. We miss so much of what the dailiness of war if we skip over people entirely or uncritically buy into stories of war reported from only one, supposedly expert, angle; when Americans thank soldiers on the street for their service and do not ask them their views on the war and how it is going, we fail to recognize that they are true experts on war, too. It is akin to learning about war from an exhibition at the Smithsonian and not going to see what "ordinary curators" of war display at the Vietnam Veterans Memorial or in Section 60 of Arlington. I'm interested in producing a book from the project that is of use to academics and is also accessible to the interested public, because it concerns me that America has rebounded from utter defeat in Vietnam with such a ramp up of the military and war willingness that it makes sense to say that we are in a militarist era of permanent war.
 

Congratulations to our former Fellow Mohammed Albakry for the publication of: ‘Tahrir Tales: Plays from the Egyptian Revolution’ Edited by Mohammed Albakry and Rebekah Maggor

Tahrir Tales

Plays from the Egyptian Revolution

Edited by Mohammed Albakry and Rebekah Maggor

360 pages | 12 halftones | 6 x 7 1/2 | © 2016

The ten plays in this collection offer unprecedented grassroots perspectives on the jubilation, terror, hope, and heartbreak of mass uprising as seen during and in the wake of the Tahrir Square demonstrations. Collectively tracing events as they unfolded in Egypt from the last days of Hosni Mubarak’s regime through Abdel Fattah el-Sisi’s ascendance to the presidency, the plays present a picture of Egypt in the midst of epochal change, with all the attendant fear, hope, and uncertainty. Ranging from naturalism to documentary to more avant-garde representations, the plays collected in Tahrir Tales represent contemporary Egyptian drama at its most interesting, and, not coincidentally, most politically, committed.