News

Announcing the 2023–24 Humanities Institute Fellows

The University of Connecticut Humanities Institute (UCHI) is proud to announce its incoming class of humanities fellows. We are excited to host four dissertation scholars (including the Draper Dissertation Fellow and the Richard Brown Dissertation Fellow), four undergraduate fellows, nine faculty fellows (including the Faculty of Color Working Group Fellow), and three external fellows. We have fellows representing a broad swath of disciplines, including History; English; Anthropology; Philosophy; Political Science; Geography; Digital Media and Design; Literatures, Culture and Languages; Journalism; Law; Africana Studies; and American Studies. Their projects take many forms including scholarly monographs, short story collections, and feature-length films; and they cover topics from women’s activism, to human rights, to Indigenous literacies. For more information on our fellowship program see our Become a Fellow page. Welcome fellows!


Visiting Fellows

Jordan Camp (American Studies, Trinity College)
“The Southern Question”

Alexander Diener (Geography, University of Kansas)
“The Middle of Somewhere: Place Attachment and the Geographies of Being”

Birgit Brander Rasmussen  (English, SUNY Binghamton)
“Signs of Resistance, Signs of Resurgence: Indigenous Literacies, New Media, and Anti-Colonial Imaginaries in Native American Literature and Culture”

Undergraduate Fellows

Breanna Bonner (Project advisor: Evelyn Simien)
“‘The Space Between Black and Liberation’: Analyzing Black Women’s Experiences of Intersectional Invisibility Within Liberation Movements”

Annabelle Bergstrom (Project advisor: Julian J. Schlöder)
“Minds Among Minds: A Pragmatist View of the Social and Spiritual Self in a Hyperconnected World”

Brent Freed (Project advisor: Elizabeth Della Zazzera)
“A Revolution Hijacked: Art and Ideology from the Atelier Populaire

Nathan Howard (Project advisor: Tracy Llanera)
“Homofascism: The Queering of Hate”

Honorable mention: Gianna Socci, “Monstrosity on Trial: Claiming Legal Personhood for Frankenstein’s Monster”

Dissertation Research Scholars

Kathryn Angelica (History)
Draper Dissertation Fellow
“An Uneasy Alliance: Cooperation and Conflict in Nineteenth-Century Black and White Women’s Activism”

David Evans (History)
“Hunger for Rights: Establishing the Human Right to Food, 1930—1988”

Geoffrey Hedges-Knyrim (Anthropology)
“Political Power during the Iron Age of the Southern Levant Through the Lens of Agricultural Production”

Xu Peng (Literatures, Culture, and Languages)
Richard Brown Dissertation Fellow
“From History to the Future: Chineseness in Contemporary Cuban, Puerto Rican and Dominican Literatures and Cultures”

UConn Faculty Fellows

Zehra Arat (Political Science)
“Human Rights Norms in Turkey”

Ana María Díaz-Marcos (Literatures, Culture, and Languages)
“‘A fistful of antifascist energy’: Ernestina Gonzalez Fleischman’s Biography and Writings”

Katerina Gonzalez Seligmann (Literatures, Culture, and Languages & El Instituto)
“Soliarity in Translation: Aimé Césaire and His Cuban Comrades in Art”

Serkan Gorkemli (English)
“You’re Always Welcome Here, a Book of Short Stories”

Martine Granby (Journalism & Africana Studies)
Faculty of Color Working Group Fellow
“Ten Seconds of Sugar”

Oscar Guerra (Digital Media and Design)
“Documenting Mental Health in Migration”

Tracy Llanera (Philosophy)
“The Misfits of Extremism”

Richard Wilson (Law)
“United Against Hate? Punishing Bias Crimes in the United States”

Victor Zatsepine (History)
“Unsettling the Sino-Mongol-Russian Borderlands, 1911–1945”

Fellow’s Talk: Anna Mae Duane on Contested Meanings of Slavery

2022–23 Fellow's Talk. “God can sometimes Make a Prison a Palace:” Unexpected Engagements in the Contested Meanings of Slavery from the Nineteenth Century to the Present Moment. Professor of English, UConn, Anna Mae Duane, with a response by Hassanaly Ladha. Wednesday April 12, 3:30pm. UCHI Conference Room, Homer Babbidge Library. This event will also be livestreamed.

“God can sometimes Make a Prison a Palace:” Unexpected Engagements in the Contested Meanings of Slavery from the Nineteenth Century to the Present Moment

Anna Mae Duane (Professor, English, UConn)

with a response by Hassanaly Ladha (LCL, UConn)

Wednesday, April 12, 2023, 3:30pm, Humanities Institute Conference Room (HBL 4-209)

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The event will also be livestreamed with automated captioning.

Register to attend virtually

How is that one word—slavery—can be deployed to completely opposite ends? Even as it evokes divisive racial and colonial histories, the term slavery has the capacity to accommodate an incredibly diverse, and often paradoxical, set of political arguments and legal practices. This talk, taken from Duane’s book in progress, Like A Slave: Slavery’s Appropriation from The Revolution to QAnon, explores how slavery has been deployed as a metaphor, and in the process, the ways Americans have continually reshaped the collective memory and historical meaning accorded to the most brutal—and central—institution in the history of the United States. Duane contends that slavery’s shifting meanings have emerged as an ongoing dialogue between white supremacist appropriations of slavery’s threat and Black authors’ insistent rewritings of slavery’s meanings. As white writers imagined everything from seduction, to drunkenness, to imprisonment as a form of “slavery,” they were also implicitly shifting the parameters of what constituted freedom. Thus, when nineteenth-century Black writers insisted on alternate ways of defining and remembering slavery, they are offering rhetorical, legal and imaginative redefinitions of not only the crime of enslavement, but also the possibilities of freedom. This talk will focus on how literary depictions of prison—the very status that animates slavery analogies for prison abolitionists today—were sometimes imagined by nineteenth-century African American authors as sites of respite and resistance from the alleged freedom offered by the white household.

Anna Mae Duane is a Professor of English and American Studies at the University of Connecticut. She has written or edited six books, including Suffering Childhood in Early America: Violence Race and the Making of the Child Victim; The Children’s Table: Childhood Studies and the Humanities; Child Slavery before and after Emancipation: An Argument for Child Centered Slavery Studies. She co-edited Who Writes for Black Children: African American Children’s Literature before 1800 with Kate Capshaw. She is the co-host, along with Victoria Ford Smith and Kate Capshaw, of the Children’s Table Podcast. Her work has been supported by the NEH, the Fulbright Foundation, and by the Yale Gilder Lehrman Center for the Study of Slavery, Resistance and Abolition. Her latest book, Educated for Freedom: The Incredible Story of How Two Fugitive Schoolboys Grew Up to Change a Nation, was supported by a UCHI Faculty Fellowship. During her fellowship year, Professor Duane will be working on a book project entitled, “Like a Slave: Slavery’s Appropriation from the American Revolution to QAnon.”

Hassanaly Ladha is an Associate Professor of French and Comparative Literature and the Graduate Advisor in French and Francophone Studies at the University of Connecticut. He holds a bachelor’s degree in English from Yale University and a Ph.D. in Comparative Literature from Princeton University. He taught at Harvard University before joining the faculty in Literatures, Cultures, and Languages at UConn. His first book, The Architecture of Freedom: Hegel, Subjectivity, and the Postcolonial State (Bloomsbury Academic, 2020), which was supported by a 2015–2016 Humanities Institute Fellowship, offers a new reading of Hegel’s related theories of Africa and the dialectic, language and the aesthetic, and mastery and slavery, tracing the implications of these concepts for postcolonial studies and political theory.

Access note

If you require accommodation to attend this event, please contact us at uchi@uconn.edu or by phone (860) 486-9057. We can request ASL interpretation, computer-assisted real time transcription, and other accommodations offered by the Center for Students with Disabilities.

DHMS Presents: Graduate Student Research Colloquium

DHMs presents: Graduate Student Research Colloquium. Featuring the work of graduate students from a variety of departments, including those in Anke Finger’s “The Multimodal Scholar” graduate seminar. Friday April 7, 12:00pm. There will be pizza and refreshments.

If you require accommodation to attend this event, please contact us at uchi@uconn.edu or by phone (860) 486-9057. We can request ASL interpreting, computer-assisted real time transcription, and other accommodations offered by the Center for Students with Disabilities.

The Digital Humanities and Media Studies Initiative presents:

Graduate Student Research Colloquium

April 7, 2023, 12:00pm
Homer Babbidge Library, Humanities Institute Conference Room
With pizza and refreshments

Featuring the work of graduate students from a variety of departments, including those in Anke Finger’s “The Multimodal Scholar” graduate seminar

SEWing Circle: Kareem Khalifa on An Ontology of Race

The Social Epistemology Working Group presents a Sewing Circle Workshop. "Thin Biological Realism: An Ontology of Race for the Working Social Scientist." Kareem Khalifa, professor of Philosophy, UCLA; Future of Truth Fellow, UCHI. April 6, 2023, 2:30pm. UCHI Conference Room, Homer Babbidge Library

If you require accommodation to attend this event, please contact us at uchi@uconn.edu or by phone (860) 486-9057. We can request ASL interpreting, computer-assisted real time transcription, and other accommodations offered by the Center for Students with Disabilities.

The Social Epistemology Working Group presents:

A SEWing Circle Workshop

The Concept of Affective Polarization and the Ways to Measure It

Kareem Khalifa

April 6, 2023, 2:30pm
Homer Babbidge Library, Humanities Institute Conference Room

This event will also be livestreamed with automated captioning. Register to attend virtually.

Ontological discussions of race seek to answer two questions, “Do races exist?” and “If so, what are they?” In this talk, I’ll answer a slightly different question: “What must race be in order for social science to be empirically successful?” This change in questions has three surprising results. First, the standard philosophical methodology of first determining the meaning of race terms and then ascertaining whether those terms refer is not the most fruitful way of answering my question. Second, despite the obvious attraction of social constructionist accounts of race for the social sciences, an approach that construes races as groups of people with common geographic ancestry is more fruitful for empirical research. Finally, while this amounts to a kind of biological realism about race, it is “thin” in adopting no substantive commitments to biological theory.

Kareem Khalifa is a professor of philosophy at UCLA (2022–present). Prior to that, he was at Middlebury College in Vermont (2006–2022). His research interests include general philosophy of science, philosophy of social science, and epistemology. In addition to authoring over 30 articles, he authored the book, Understanding, Explanation, and Scientific Knowledge (Cambridge, 2017) and co-edited Scientific Understanding and Representation: Modeling in the Physical Sciences (Routledge, 2022). He is currently extending his previous work in these areas to social-scientific conceptions of race and segregation. He is currently a Future of Truth Fellow at the University of Connecticut’s Humanities Institute. In 2025, he will be the Senior Visiting Fellow at the University of Pittsburgh’s Center for Philosophy of Science. In 2017, he received the American Council of Learned Societies’ Burkhardt Award, which funded a five-year project, Explanation as Inferential Practice.

Young Adult Publishing

Young Adult Publishing with Peter Knapp, Partner & Agent, Park & Fine; Crystal Maldonado, novelist; and Stephanie Stein, Senior Editor, HarperCollins. Live, online, registration required. April 3, 2023, 5:00pm. A publishing Now event. UConn humanities Institute

Publishing NOW presents

Young Adult Publishing

with Peter Knapp, Crystal Maldonado, and Stephanie Stein

April 3, 2023, 5:00pm

Live • Online • Registration required

Peter Knapp (partner and agent, Park & Fine), Crystal Maldonado (author and UConn alum), and Stephanie Stein (Senior Editor, HarperCollins), answer your questions and demystify the world of young adult publishing. 2022–23 UCHI/CLAS Undergraduate Humanities Research Fellow Rylee Thomas will moderate the discussion.

Please submit any questions you have for our panel of experts via this google form.

Peter Knapp is a partner and literary agent at Park & Fine Literary and Media, where he oversees the children’s and young adult fiction department. His clients include the New York Times bestselling authors Soman Chainani, Ayana Gray, Adalyn Grace, Rachel Griffin, Shelby Mahurin, Ginny Myers Sain, and Amélie Wen Zhao, and award winners and critically acclaimed authors such as Emily Bain Murphy, Julia Drake, Ryan La Sala, and Kate O’Shaughnessy. Peter first began his foray into publishing while interning in the book-to-film departments of several film studios and production companies, including New Line Cinema and Overture Films. Upon graduating, he began work as a story editor at Floren Shieh Productions, a literary scouting agency that consulted on film and TV adaptations for Los Angeles-based studios and production companies. He joined Park & Fine, then the Park Literary Group, in 2011. Peter is a graduate of New York University, and now lives in Brooklyn with his husband.

Crystal Maldonado is a young adult author with a lot of feelings. Her debut novel, Fat Chance, Charlie Vega, is a 2021 New England Book Award winner, a Cosmopolitan Best New Book, and a POPSUGAR Best New YA Novel. Her newest novel, No Filter and Other Lies, explores teenage life in the social media age—and the lies we tell to ourselves and others.

Stephanie Stein is a senior editor at HarperCollins Children’s Books, where she acquires middle grade and YA fiction and graphic novels for the Harper and HarperTeen imprints. In her eleven years at Harper, she has worked with critically acclaimed, bestselling, and award-winning authors including Rena Barron, Kiera Cass, Femi Fadugba, Cynthia Hand, Michael Leali, Mark Oshiro, Ava Reid, Misa Sugiura, and Shveta Thakrar. She is also the lead editor of the #1 New York Times bestselling Warriors series by Erin Hunter.

ACCESS NOTE

This event will offer automated captioning. If you require accommodation to attend this event, please contact us at uchi@uconn.edu or by phone (860) 486-9057. We can request ASL interpreting, computer-assisted real time transcription, and other accommodations offered by the Center for Students with Disabilities.

New Deadline for Undergraduate Humanities Research Fellowships

The deadline to submit applications for the CLAS and UCHI Undergraduate Humanities Research Fellowship has been extended to March 10, 2023.

The fellowship supports a year-long research project supervised by a UConn faculty member. The project should explore big questions about human society and culture and should lead to an original contribution to your area of study. For details on eligibility and how to apply, please see the call for applications.

Seeing Truth Presents: Possible Knowledge with Debapriya Sarkar

Seeing Truth presents Possible Knowledge, a book launch with Debapriya Sarkar, Assistant Professor of English and Maritime Studies, UConn. March 7, 2023, 3:30pm. UCHI Conference Room, Homer Babbidge Library. This event will also be livestreamed.

This event will include automated captioning. If you require accommodation to attend this event, please contact us at uchi@uconn.edu or by phone (860) 486-9057. We can request ASL interpreting, computer-assisted real time transcription, and other accommodations offered by the Center for Students with Disabilities.

Seeing Truth presents:

Possible Knowledge

A book launch

with Debapriya Sarkar

March 7, 2022,  3:30pm
Humanities Institute Conference Room, Homer Babbidge Library, Fourth Floor

This event will also be livestreamed. Register to attend virtually

Debapriya Sarkar will discuss her new book, Possible Knowledge: The Literary Forms of Early Modern Science (Penn Press). Possible Knowledge offers a new account of literature’s role in the intellectual history of early modernity, a period beset by uncertainty as older frameworks of knowledge were questioned, even upended. Showing how problems of epistemology are inextricable from questions of literary form, the book argues for early modern literature’s significance as a vital philosophical endeavor. It theorizes “possible knowledge” as a distinct intellectual paradigm, exploring the imaginative habits of thought that enabled early modern thinkers—including Shakespeare, Milton, Sidney, Bacon, Spenser, and Cavendish—to grapple with the challenge of forging knowledge in an uncertain, perhaps even incomprehensible world. Enacting a history of ideas that centers literary studies, Possible Knowledge suggests that what we term a history of science might ultimately be a history of the imagination.

Debapriya Sarkar is Assistant Professor of English and Maritime Studies at UConn. Her research interests include early modern literature and culture, history and philosophy of science, environmental humanities, and literature and social justice. She has co-edited, with Jenny C. Mann, a special issue of Philological Quarterly called “Imagining Early Modern Scientific Forms” (2019). Her work appears or is forthcoming in English Literary Renaissance, Shakespeare Studies, Spenser Studies, Exemplaria, and in several edited collections. Her new book, Possible Knowledge: The Literary Forms of Early Modern Science, traces how literary writing helped to re-imagine the landscape of epistemic uncertainty at the time of the Scientific Revolution. She is the recipient of the Huntington’s 2021–22 Fletcher Jones Foundation Fellowship.

Fellow’s Talk: Heather Cassano on The Fate of Human Beings

2022–2023 UCHI Fellow's Talk. "Stories from State Hospital Cemeteries: Work-in-progress scenes from The Fate of Human Beings. Assistant Professor, Digital Media and Design, Heather Cassano, with a response by Cornelia Dayton. March 1, 2023, 3:30pm. UCHI Conference Room and livestreamed on Zoom.

Stories from State Hospital Cemeteries: Work-in-Progress Scenes from The Fate of Human Beings

Heather Cassano (Assistant Professor, DMD, UConn)

with a response by Cornelia Dayton (History, UConn)

Wednesday, March 1, 2023, 3:30pm, Humanities Institute Conference Room (HBL 4-209)

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The event will also be livestreamed with automated captioning.

Register to attend virtually

THE FATE OF HUMAN BEINGS is a feature-length documentary film uncovering the stories of people with disabilities and mental illnesses who are buried in unnamed graves in mental institution cemeteries across the United States. Through a multiple narrative approach utilizing archival and present-day material, the film unpacks the ramifications of these cemeteries, seeking to understand our past and present relationships with the “otherness” of those interred. This talk will present work-in-progress scenes from the film and discuss the research behind the project. The selected scenes will include characters from multiple narratives featuring stories of improper burials, activism, and memorialization; all relating to mental institution cemeteries across the country.

Heather Cassano is a documentary filmmaker and Assistant Professor of Film/Video at the University of Connecticut. Her films blend an observational style with deeply personal narratives, striving to tell authentic stories through her personal experiences. Heather’s first feature documentary THE LIMITS OF MY WORLD (2018), followed her severely autistic brother Brian as he transitioned from the school system into adulthood. The film screened at numerous festivals internationally, winning three Best Documentary awards and a Jury Prize. Heather is now working on her second feature documentary THE FATE OF HUMAN BEINGS, which uncovers the stories of people with disabilities and mental illnesses who are buried in unnamed graves in mental institution cemeteries across the United States.

Cornelia H. Dayton is a Professor of History at the University of Connecticut. Her research and teaching interests include law and society; women, gender, and sexuality; Black lives in the northeast and Atlantic world; Revolutionary-era Boston; marital elopement notices; the poor relief practice of warning newcomers; and New Englanders’ responses to mental health challenges prior to 1840. She is a co-editor of Women’s America: Refocusing the Past, heading into its 10th edition; author of Women before the Bar: Gender, Law, and Society in Connecticut, 1639–1789; Robert Love’s Warnings: Searching for Strangers in Colonial Boston (with Sharon V. Salinger); “Taking the Trade: Abortion and Gender Relations in an 18th-Century New England Village” (William and Mary Quarterly); and, most recently, “Lost Years Recovered: John Peters and Phillis Wheatley Peters in Middleton,” in The New England Quarterly.

Access note

If you require accommodation to attend this event, please contact us at uchi@uconn.edu or by phone (860) 486-9057. We can request ASL interpretation, computer-assisted real time transcription, and other accommodations offered by the Center for Students with Disabilities.

DHMS Presents: The Lab Book

The Digital Humanities and Media Studies Initiative Presents The Lab Book, Lori Emerson, Jussi Parikka, and Darren Wershler. February 27, 2023, 11:00 am. Live. Online. Registration required.

This event will include automated captioning. If you require accommodation to attend this event, please contact us at uchi@uconn.edu or by phone (860) 486-9057. We can request ASL interpreting, computer-assisted real time transcription, and other accommodations offered by the Center for Students with Disabilities.

The Digital Humanities and Media Studies Initiative presents:

The Lab Book

with Lori Emerson, Jussi Parikka, and Darren Wershler

February 27, 2022, 11:00am
Live. Online. Registration required.

In this talk, we will discuss our recently published The Lab Book: Situated Practices in Media Studies, offering insights into how the book emerged and how it resonates with contemporary developments regarding “labs.” While our focus is on media and humanities labs, we expand the discussion to the broader field of research in STS on laboratories as sites of knowledge production which, however, are also thoroughly embedded in questions of imaginaries, politics of infrastructure, as well as social relations and power. Our book uses historical and contemporary case studies to discuss changes in how academic and non-academic practices are conceived and what sorts of techniques sustain the spaces we come to call “labs.” As we acknowledge in the book, “the first difficulty in talking about labs with any precision is that the metaphor of the lab has permeated contemporary culture to the degree that it can apply to just about anything.” With this starting point, we outline what we call the hybrid lab—a particular kind of a constellation that also applies to historical examples: labs have always already been hybrids.

Lori Emerson is Associate Professor in the English Department and the Intermedia Arts, Writing, and Performance Program (IAWP). She is also Director of IAWP and the Media Archaeology Lab. Emerson is co-author of THE LAB BOOK: Situated Practices in Media Studies (University of Minnesota Press 2022) with Darren Wershler and Jussi Parikka, author of Reading Writing Interfaces: From the Digital to the Bookbound (University of Minnesota Press June 2014), and editor of numerous collections.

Jussi Parikka is Professor in Digital Aesthetics and Culture at Aarhus University in Denmark. He is also visiting professor at Winchester School of Art and at the Academy of Performing Arts in Prague where he leads the project Operational Images and Visual Culture. His books include Insect Media (2010), Digital Contagions (2007/2016) and A Geology of Media (2015) Recently, he co-edited Photography Off the Scale (2021) and he is the co-author (with Lori Emerson and Darren Wershler) of The Lab Book: Situated Practices in Media Studies (2022). Jussi is also on the curatorial board of the next Helsinki Biennial as well as the curator (with Daphne Dragona) of Weather Engines (2022, 2023). http://jussiparikka.net.

Darren Wershler is Professor of English, Affiliate Professor of Communication Studies and Cinema and Acting Director of the Milieux Institute at Concordia. With Lori Emerson and Jussi Parikka, he is an author of THE LAB BOOK: Situated Practices in Media Studies (University of Minnesota Press, 2022).

UCHI Awarded Grant to Create Global Humanities Institute

The UConn Humanities Institute is excited to announce that its joint application with Rutgers University for a Global Humanities Institute on Design Justice AI has been awarded funding. The project, which is led by the Rutgers Center of Cultural Analysis, has three (co-PI) partner institutes: the Humanities Research Centre at ANU, the Center for Advancement of Scholarship at the University of Pretoria, and the Humanities Institute at the University of Connecticut. Supported by the Mellon Foundation via the Consortium of Humanities Centers and Institutes, the project will fund an interdisciplinary series of workshops and conferences dedicated to building sustainable global research partnerships that address the ethics of artificial intelligence, including a two-week long institute held at the University of Pretoria in 2024.

The rapid diffusion of so-called “Generative AI”—machine learning technologies that simulate human languages, communication, arts, and cultures through the statistical modeling of vast troves of “scraped” internet data, including ChatGPT and Dall-E3—signals the importance of bringing humanities scholars into conversations about “ethical AI.” The challenge of studying “generative AI” is to lay out the stakes, human as well as humanistic, of commercial technologies that aim to influence—even “revolutionize”—the practices and political economies that bear on human cultural production. The Global Humanities Institute on Design Justice AI will ask:

What would be lost from human creativity and diversity if writers or visual artists come to rely on predictive models trained on selective datasets that exclude the majority of the world’s many cultures and languages?

What frameworks or evaluation practices might help to concretize what is meant by “intelligence,” “understanding,” or “creativity”—for machines as well as humans? How might such humanistic interventions help diverse citizens to participate in the design and implementation of generative technologies and the benchmarks that evaluate them?

If evidence suggests that “generative AI” is harmful—and/or counter to the professed object of enhancing human lifeworlds—what alternatives might be forged through community participation in research that rearticulates goals, and reframes design from the bottom up? What kinds of teaching, research, community practices, and policies might sustain these humanist-inflected and justice-oriented design processes?

These research questions go to the heart of what inclusive collaborations can contribute to the study of resource-intensive technologies that aim to monetize and “disrupt” human communication and creativity.

This project is an exciting reaffirmation of UCHI’s dedication to addressing crucial issues on a global scale.