Kerry Carnahan

Fellow’s Talk: David W. Samuels on Music and Community in the 20th Century

2020-21 Fellow's Talk. The Dance-Grinding Machine: Music, Industrial Modernity, and 20th Century Regret for Community. Associate Professor of Music, NYU, David W. Samuels with a response by Kerry Carnahan. Live. Online. Registration required. March 24, 2021, 4:00pm.

The Dance-Grinding Machine: Music, Industrial Modernity, and 20th Century Regret for Community

David W. Samuels (Associate Professor of Music, NYU)

with a response by Kerry Carnahan

Wednesday, March 24, 2021, 4:00pm (Online—Register here)

The twentieth century was witness to an ethical discourse about the scope of the human that took its cues from ideas about how people should sound. The tones and timbres of vocal and instrumental music became key reference points in a dialogue about how to maintain one’s humanity under the conditions of modern urban industrial capital. In this presentation, David W. Samuels traces some of the resonances between three strands of this discourse—historical performance movements, folk revivalism, and the emergence of ethnomusicology. The three represent multiple-layered and overlapping attempts to extract “the human scale” from the contexts of perceived dehumanizing processes of industrial modernity. All of these movements presented arguments about the human body and shared social participation as important locations in which to find continued expressions of humanity in the contemporary world.

David W. Samuels is a linguistic anthropologist, folklorist, ethnomusicologist, and Associate Professor of Music at NYU. His book, Putting A Song On Top of It: Music and Identity on the San Carlos Apache Reservation, was perhaps the first book-length monograph exploring popular culture’s place in the formation of contemporary Indigenous identities. He has published on a wide variety of topics including popular music, science fiction, language revitalization, historical imagination, missionary encounters, and vernacular modernities.

Kerry Carnahan was born and raised in Kansas. Currently she pursues doctoral work in English at the University of Connecticut, where she teaches composition and creative writing. Her doctoral work specializes in poetry and poetics, focusing on dynamics of gender, sexuality, race, class, and empire. She also studies religion and the Hebrew Bible. kerrycarnahan.com

Registration is required for the event.

If you require accommodation to attend this event, please contact us at uchi@uconn.edu or by phone (860) 486-9057.

Get To Know a Fellow: Kerry Carnahan

In our first Get To Know a Fellow video, 2020–2021 Dissertation Research Scholar Kerry Carnahan discusses her project—a new translation and commentary of the Song of Songs. To hear more about her project, register to attend her Fellow’s Talk on October 28, 2020 at 4:00pm.

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Fellow’s Talk: Kerry Carnahan on the Song of Songs

Poster for Kerry Carnahan's talk—Song of Song: An Erotic and an Amulet. October 28, 2020 at 4:00 pm. With a response by David Samuels. Beside the words a painting depicts two elephants facing each other over a narrow stream, their trunks raised.

Song of Songs: An Erotic and An Amulet

Kerry Carnahan (Ph.D. Candidate, English)

with a response by David Samuels (Associate Professor of Music, New York University)

Wednesday, October 28, 2020, 4:00pm (Online—Register here)

 

Kerry Carnahan will read from her work-in-progress, a new translation and edition of the Song of Songs, concluding with an offering of protection and guidance. With a response by David Samuels, Associate Professor of Music at New York University.

Kerry Carnahan was born and raised in Kansas. Currently she pursues doctoral work in English at the University of Connecticut, where she teaches composition and creative writing. Her doctoral work specializes in poetry and poetics, focusing on dynamics of gender, sexuality, race, class, and empire. She also studies religion and the Hebrew Bible. kerrycarnahan.com

David Samuels is Associate Professor and current Chair of the Music Department at New York University. He is a linguistic anthropologist, folklorist, and ethnomusicologist. His book, Putting A Song On Top of It: Music and Identity on the San Carlos Apache Reservation, was perhaps the first book-length monograph exploring popular music’s place in the formation of contemporary Indigenous identities. He has published on a wide variety of topics including popular music, science fiction, language revitalization, historical imagination, missionary encounters, and vernacular modernities.

Registration is required for the event.

If you require accommodation to attend this event, please contact us at uchi@uconn.edu or by phone (860) 486-9057.

Announcing the 2020–21 Graduate Dissertation Fellows

The University of Connecticut Humanities Institute (UCHI) is proud to announce its incoming class of Graduate Dissertation Fellows. The Class of 2020–21 will consist of two PhD candidates from the history department (including the Draper Dissertation Fellow), and two PhD candidates from the English Department. More information about each fellow, including their biographical information, will be provided at a later date:

Nicole Breault

 

History Department - Draper Dissertation Fellow

Project Title: The Night Watch of Boston: Law and Governance in Eighteenth-Century British America

Kerry Carnahan

 

English Department

Project Title: Song of Songs: a New Translation with Commentary

Ashley Gangi

 

English Department

Project Title: May I Present Myself? Masks, Masquerades, and the Drama of Identity in Nineteenth Century American Literature

Shaine Scarminach

 

History Department

Project Title: Lost at Sea: The United States and the Struggle to Govern the World’s Oceans