The Political Theory Workshop Presents Luis Beltrán-Álvarez

THE POLITICAL THEORY WORKSHOP PRESENTS

“From Creolization of Theory to Praxis: Feminist and Community Organization’s Decolonial Empowerment in Puerto Rico”

Luis Beltrán-Álvarez, Political Science, UConn
with commentary by Dr. Gregory Doukas, Political Science, UConn
April 18, 2022 from 12:15–1:30pm, Oak 438 and Zoom

Luis J. Beltrán-Álvarez is from Aguadilla, Puerto Rico. He earned his bachelor’s degrees in Political Science and Sociology from the University of Puerto Rico Río Piedras and then earned a Master’s degree in Philosophy from the same institution. He is now a Ph.D. Candidate in Political Science in Political Theory and Comparative Politics at the University of Connecticut. His main research interests are political subjectivities, social movements, decolonial feminism, anticolonialism and decoloniality, anarchism, populism, philosophy of race/racism, and discourse theory.

With generous support from the UConn Humanities Institute, Africana Studies, Anthropology, El Instituto, OVPR, Philosophy, POLS, and Sociology.

Questions? Email jane.gordon@uconn.edu

Fellow’s Talk: Fiona Vernal on Race and Identity in Hartford

Hartford Bound: How African Became and African American and Caribbean City. Associates Professor of History and Africana Studies Fiona Vernal, with a response by Carol Gray. April 27, 2022, 4:00pm. Humanities Institute Conference Room.

Hartford Bound: How Hartford became an African American and Caribbean City

Fiona Vernal (Associate Professor of History and Africana Studies, UConn)

with a response by Carol Gray

Wednesday, April 27, 2022, 4:00pm, Humanities Institute Conference Room, HBL 4-209

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This talk explores Fiona Vernal’s current book and digital humanities project, Housing Hartford: Mobility, Race, and Identity in Post-World War II Hartford, which examines the convergence of three great migrations of African Americans, Puerto Ricans, and West Indians in the Greater Hartford region. The book project integrates oral history, archival research, and GIS methodologies to reframe the history of how Hartford became an African American and a Caribbean city. This narrative of community formation told through the lens of housing, migration, and mobility, offers counter narratives to hardened scripts of slum clearance, white suburban flight, redlining, urban renewal, and gentrification. By exploring the intersections of space, place, mobility, and identity, Hartford Bound offers new visual and spatial histories of race, ethnic belonging, and community succession.

Fiona Vernal is the director of Engaged, Public, Oral, and Community Histories (EPOCH) and Associate Professor of History and Africana Studies at the University of Connecticut. The project she will present today is part of a suite public humanities projects recently awarded the University of Connecticut’s Provost’s Awards for Excellence in Community Engaged Scholarship, a UConn Humanities Institute fellowship, and the Sustainable Global Cities Initiative (SCGI) Faculty Research Grant.

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If you require accommodation to attend this event, please contact us at uchi@uconn.edu or by phone (860) 486-9057. We can request ASL interpretation, computer-assisted real time transcription, and other accommodations offered by the Center for Students with Disabilities.

Fellow’s Talk: Sherie Randolph on Camille Billops

"I See it as a Feminist Statement": Camille Billops and the Art of Liberation. Associate Professor of History, Georgia Institute of Technology. Sherie Randolph. With a response by Laura Mauldin. April 20, 2022, 4:00pm. Humanities Institute Conference Room

“I See it as a Feminist Statement”: Camille Billops and the Art of Liberation

Sherie Randolph (Associate Professor of History, Georgia Institute of Technology)

with a response by Laura Mauldin

Wednesday, April 20, 2022, 4:00pm, Humanities Institute Conference Room, HBL 4-209

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Photo of Camille Billops sitting in a chair, wearing a wide-brimmed hat, under a sculpture of a woman with wings.
Photo of Camille Billops by Coreen Simpson, 1984.

Given the socioeconomic structures and cultural constraints that limited Black women’s options both within and outside of the Black community, Black mothers had little space to determine their own lives, protect their bodily autonomy, and pursue their individual passions. How do we understand “bad” Black mothers who rejected contemporary forms of mothering and placed a greater value on their own creative and political work during the long 1960s? Sherie Randolph’s talk looks specifically at the Black feminist artist Camille Billops (1933–2019) and explores how she understood her contribution to Black arts as more valuable than her role as a Black mother. She learned to view her own happiness as freedom from parenting. In short, Billops’s life choices are in line with current research that suggests that if a woman wants to be content, it is best to remain childless. This talk places Billops’s artwork alongside interviews, her personal papers, and other archival sources to examine how she defied the boundaries of heteronormative motherhood in the postwar United States and went on to become an award-winning artist, filmmaker and archivist. In doing so, Billops enlarged Black feminist understandings of the possibility of Black liberation.

Sherie M. Randolph is an associate professor of history at the Georgia Institute of Technology and the founder of the Black Feminist Think Tank. Formerly an associate professor of history and African American Studies at the University of Michigan, Ann Arbor. Randolph’s book Florynce “Flo” Kennedy: The Life of a Black Feminist Radical, published by the University of North Carolina Press (October 2015), examines the connections between the Black Power, civil rights, New Left, and feminist movements. The former Associate Director of the Women’s Research & Resource Center at Spelman College, she has received several grants and fellowships for her work, most recently being awarded fellowships from the University of Connecticut’s Humanities Institute and Brown University’s Howard Foundation. Randolph is currently writing her second book “Bad” Black Mothers: A History of Transgression.

Access note

If you require accommodation to attend this event, please contact us at uchi@uconn.edu or by phone (860) 486-9057. We can request ASL interpretation, computer-assisted real time transcription, and other accommodations offered by the Center for Students with Disabilities.

You Should…watch Drive, dir. Nicolas Winding Refn (Stephen Dyson, Political Science)

In celebration of 20 years of UCHI and as part of our ongoing You Should… series, we’ve asked former fellows and other friends of the Institute to recommend something related to their work or process. Read them all here.

Drive (2011) movie posterDrive (2011) is a movie about boundaries and boundaries blurred—between day and night, between the criminal world and the world of bystanders, between moments of tenderness and—fair warning—moments of intense violence.

The protagonist is a Hollywood stuntman / criminal getaway specialist credited only as “Driver.” He speaks in short, staccato bursts. He communicates mostly to set limits to his interactions with others, such as the petty criminals to whom he disdainfully lends his expertise.

His obligations are fleeting—a five-minute window where “anything happens, and I’m yours.” A tick of the clock either side of those five minutes: “you’re on your own.” Each dictation of terms ends with a rhetorical “do you understand?” Driver doesn’t want an answer, the question is purely to reinforce the limits of his engagement with his environment.

And that environment—a neon-lit nighttime Los Angeles, beautifully framed by director Nicholas Winding Refn—is viewed from the margins by Driver. In the James Sallis novella that provides the source material, we are told that Driver “existed a step or two to one side of the common world, largely out of sight, a shadow, all but invisible.” He prizes anonymity, taking short-term leases on nondescript apartments, forming no ties, collecting no baggage, ready to leave on a moment’s notice.

But chance intervenes and soon Driver is no longer setting the terms of his engagement with the world.
Listen for the strange alchemy of the soundtrack. The anthem “A Real Hero” captures the soul of the story with its double-edged refrain “a real human being, and a real hero.” The track which plays over the opening credit, “Night Call,” sets the dark tone; the Chromatics’ “Tick of the Clock” accents the precision of Driver’s craft; the glorious torch-song “Oh My Love” is deeply moving in context.

Note too the way that heroic archetypes are skillfully deployed: The man with no name, the cowboy who rides into town to solve problems then rides off into the sunset, the road-warrior of the Mad Max series. But this is an anti-hero tale at its dark heart. Driver is a violent man and the world in which he operates is brutally Darwinian.

Drive then is a contemporary noir about a man who has carefully constructed a context in which he can function. The question is what happens when the boundaries he has drawn for himself are, suddenly, erased. Who, in the end, is Driver—a real hero, or a somewhat shabby and fallen human being?

– Stephen Dyson
Professor of Political Science
University of Connecticut

Photograph of Stephen Dyson, wearing a suit.Who is Stephen Dyson? Stephen Dyson is Professor of Political Science at the University of Connecticut. He received his Ph.D. from Washington State University in 2004. His scholarly work focuses on representations of politics and international relations in popular culture, particularly science fiction, and on elite decision making in foreign policy. He teaches classes on politics and popular culture, international relations, political leadership, and the history of nuclear weapons.

You Should… watch Sambhaji Bhagat (Manisha Desai, Sociology)

In celebration of 20 years of UCHI and as part of our ongoing You Should… series, we’ve asked former fellows and other friends of the Institute to recommend something related to their work or process. Read them all here.

You should watch Sambhaji Bhagat, a Dalit artist, activist who has revived and revolutionized Jalsa, a Marathi folk performance art to foster Dalit rights but also challenge other social inequalities, including gender and those resulting from neoliberal globalization. Traditionally, all the parts were performed by men. Sambhaji includes women in his Jalsas. In this clip he excoriates those who take the measure of a person in terms of their caste and identifies who these people are, some in Delhi (i.e., politicians) some in Mumbai (i.e., corporate and entertainment titans) and some right here in the audience. He addresses issues of Hindutva and neoliberal globalization among others.

There are few translations of his performance and along with colleagues in Mumbai, we’ve begun a project of translating his songs and poems in an anthology.

You can learn a little more about him in this article.

– Manisha Desai
Professor of Sociology and Asian and Asian American Studies
University of Connecticut

Headshot of Manisha DesaiWho is Manisha Desai? Manisha Desai is Professor of Sociology and Asian and Asian American Studies at the University of Connecticut. Committed to decolonizing knowledge and social justice, her research and teaching interests include Gender and Globalization, Transnational Feminisms and women’s movements, Human Rights movements, and Contemporary Indian Society. Currently, she’s working on a book manuscript on the Changing Contours of the Women’s Movement in India. Based on nine months of ethnographic research, funded by the American Institute of India Studies Senior Fellowship, she examines the new articulations of women’s activism with Dalit struggles, Anti-Communalism, and the rural and urban crises of neoliberal policies for the marginalized. Her forthcoming publication with Rianka Roy, Krantijyoti Gyanjyoti Savitribai: The Light of Revolution and Knowledge is the start of a new project on what she calls “the second decolonial moment,” in the Global North and South, to bring the work of 19th century Dalit theorist Savitribai Phule and her collaborators in the Satya Shodhak Samaj (the Society of Truth Seekers) to a larger audience.

20 Years of Fellows: Debapriya Sarkar

As part of our 20th anniversary celebrations, we've checked in with former fellows to gather reflections on their fellowship years, to get an update on their fellowship projects, and to see what they are working on next. Read them all here.

headshot of Debapriya Sarkar2019–20 Faculty Fellow Debapriya Sarkar is Assistant Professor of English and Maritime Studies at UConn. Her research interests include early modern literature and culture, history and philosophy of science, environmental humanities, and literature and social justice. She has co-edited, with Jenny C. Mann, a special issue of Philological Quarterly called “Imagining Early Modern Scientific Forms” (2019). Her work appears or is forthcoming in English Literary Renaissance, Shakespeare Studies, Spenser Studies, Exemplaria, and in several edited collections. Her current project, Possible Knowledge: The Literary Forms of Early Modern Science, traces how literary writing helped to re-imagine the landscape of epistemic uncertainty at the time of the Scientific Revolution. She is the recipient of the Huntington’s 2021–22 Fletcher Jones Foundation Fellowship.


What was your fellowship project about?
While at the UCHI, I was working my first book, Possible Knowledge: The Literary Forms of Early Modern Science. In this project, I study speculative habits of thought—such as hypothesis, conjecture, prophecy, and prediction—that were at the core of Renaissance poetics, fascinating writers from Spenser, Bacon, and Shakespeare to Milton and Cavendish. I call these ways of thinking “possible knowledge,” and I use them to show how poesie (a general early modern term for literature) helped to re-imagine the landscape of epistemic uncertainty at the time of the so-called Scientific Revolution.

Would you give us an update on the project?

The book is forthcoming from The University of Pennsylvania Press in 2023.

How did your fellowship year shape your project, or shape your scholarship in general?

The fellowship year was instrumental in shaping the final contours of my argument. During my year at the UCHI, I was working through a lot of the conceptual issues that ultimately appear in the book’s introduction. Given that my book studies the relations between literature and science, and engages with the works of historians and philosophers of science, it was extremely helpful to have the chance to discuss these ideas with colleagues in those fields—these discussions helped me to address questions of methodology and audience that have become very important in the final version of the project.

Would you share a favorite memory from your time as a UCHI fellow?

My favorite memory from the UCHI is definitely the weekly gatherings of the fellows—these events produced so many interesting, and unexpected, exchanges of ideas! I especially recall the serendipitous nature of forming connections across our diverse experiences and interests—both scholarly and beyond—as one of most rewarding and exciting things about my time there.

What are you working on now (or next)?

I am completing the final revisions for my book, and I am starting a new project on the intersections of early modern ecocriticism, critical race studies, and postcolonial theory—in this project, I ask how early modern literary and cultural artifacts can help us think about the long, entangled histories of environmental and racial justice.

Our theme for UCHI’s 20th anniversary year is “The Future of Knowledge.” What would you say are some of the challenges facing the future of knowledge? And what do you think is most exciting or promising about the future of knowledge?

One challenge facing the future of “knowledge” is to confront the significance and scope of the term itself—our understanding of what constitutes knowledge, and what methods are the most appropriate ways of knowledge-production (the so-called objective scientific method, let’s say), are inevitably shaped by our training, our positionality as scholars and students, and the resources available to us. For instance, how might questions in the history of science and environment shift if we centered the insights of Critical Indigenous Studies? I would be interested in thinking through such shifts in our own scholarly practices—to think of knowledges, rather than knowledge as a universal idea. This challenge is, perhaps paradoxically, one of the most exciting things about the topic: as an early modernist, it has been eye-opening to see how the import—and universality—of the term “Scientific Revolution” has been challenged and complicated by scholars working on women’s knowledge practices, Islamic science in the pre-modern period, etc. We thus already have models to rethink the meaning of what constitutes varied bodies of knowledge—by delving into the long, and global histories, of these questions, we can make the future of knowledge(s) as capacious as they have been in the past.

The Political Theory Workshop Presents Natasha Behl

THE POLITICAL THEORY WORKSHOP PRESENTS

India’s Farmers’ Protest: An Inclusive Vision of Indian Democracy

Natasha Behl, Arizona State University
with commentary by San Lee, Political Science, UConn
March 21, 2022 from 12:15–1:30pm, Oak 408 and Zoom

India, the world’s largest democracy, has been experiencing a democratic decline. Since coming to power in 2014 and winning reelection in 2019, Prime Minister Narendra Modi and the Bharatiya Janata Party have become increasingly illiberal and authoritarian. The rule of law has deteriorated, rights and liberties have been curtailed, and scholars and the media have been silenced. If electoral constraint, constitutional design, judicial independence, and a free press haven’t slowed India’s march toward illiberalism, what can? In November 2020, India’s farmers began a highly organized protest against the government. How has this protest protected Indian democracy from further degradation? Has it radically altered India’s political future? The farmers’ protest provides an alternative vision of democracy, one rooted in radical egalitarianism. Protesting farmers have actualized the spirit of dissent enshrined in the Indian constitution by holding the current government accountable to it.

Natasha Behl is associate professor in the School of Social and Behavioral Sciences at Arizona State University (ASU). Her book, Gendered Citizenship: Understanding Gendered Violence in Democratic India, was published with Oxford University Press and received the American Political Science Association’s 2021 Lee Ann Fujii Award for Innovation in the Interpretive Study of Political Violence. Her research has been published in the American Political Science Review, PS: Political Science and Politics, Feminist Formations, and Politics, Groups, and Identities. At ASU, she was awarded the Outstanding Teaching Award, the Outstanding Faculty Mentor Award, ASU’s Excellence in Diversity, Equity, and Inclusion Award and Social Impact Award. She has written for The Washington Post and Economic & Political Weekly and given a TEDx Talk

With generous support from the UConn Humanities Institute, Africana Studies, Anthropology, El Instituto, OVPR, Philosophy, POLS, and Sociology.

Questions? Email jane.gordon@uconn.edu

Born on the Water, Raised on the Word

Born on the Water, Raised on the Word: Invoking, Learning, and Remembering Silenced Histories Through Literature, with Grace Player, Sian Charles-Harris, and Dominique Battle-Lawson. March 23, 2022, 4:30pm, Austin Building Room 217

The Humanities Institute and the Neag School of Education present

Born on the Water, Raised on the Word

Invoking, Learning, and Remembering Silenced Histories Through Literature

A panel presentation with
Grace Player, Sian Charles-Harris, and Dominique Battle-Lawson

and responses by
Julianna Iacovelli, Aarushi Nohria, Erica Popoca, and Samantha vanValkenburg

March 23, 2022, 4:30–6:00, Stern Lounge (Austin Building, Room 217)

Registration required.

The first forty students to register will receive a free copy of The 1619 Project: Born on the Water, by Nikole Hannah-Jones and Renée Watson, with illustrations by Nikkolas Smith. All registrants are invited to attend Nikole Hannah-Jones in conversation with Manisha Sinha, March 30, 2022 at 2:00pm in the Student Union Theater.

Fellow’s Talk: Shardé Davis on #BlackintheIvory

2021–22 UCHI fellow's talk. #BlackintheIvory: Amplifying the Voices of Blackademic Truthtellers about Anti-Black Racism. Assistant Professor, Communications, Shardé Davis, with a response by Sarah Willen. March 23, 2022, 4:00pm. Live. Online. Registration required.

#BlackintheIvory: Amplifying the Voices of Blackademic Truthtellers about Anti-Black Racism

Shardé M. Davis (Assistant Professor, Communication, UConn)

with a response by Sarah S. Willen (Anthropology, UConn)

Wednesday, March 23, 2021, 4:00pm
Live. Online. Registration required.

A Black professor is walking down the hallway and mistaken for a custodial staff person. A Black student is told that she only received her medical scholarship because of her race. A Black research scientist is physically blocked from the university mail room, and the police are called, even though she has her university ID on her.

In June 2020, Dr. Shardé M. Davis created a Twitter hashtag #BlackintheIvory to document the racism experienced by Blackademics. Thousands used the hashtag on various social media platforms to share their stories, demonstrating that racism in the academy knew no disciplinary bounds. Indeed, Blackademics at all career points and across multiple decades have encountered systemic racism in the academy.

In this talk, Dr. Davis will discuss the concurrent struggles and triumphs of being Black in the Ivory and how Blackademics (faculty and graduate students) are standing in their right as “truth tellers” to talk back and resist the racist systems that have historically oppressed them. Dr. Davis will detail the story of the #BlackintheIvory Twitter hashtag as well as provide an overview of the book as well as its purpose and goals.

Dr. Shardé M. Davis is an Assistant Professor in the Department of Communication and Faculty Affiliate of various research institutes at the University of Connecticut. Her research examines the way Black women leverage communication in the sistah circle to invoke collective identity, erect and fortify the boundaries around their homeplace, and backfill the necessary resources to return to white/male dominant spaces in American society. These ideas have been published in over 40 peer-refereed articles and invited book chapters, and are best represented in her theory, The Strong Black Woman Collective. Her research was formally recognized with the 2018 American Postdoctoral Fellowship from the American Association of University Women and the 2019 Ford Foundation Postdoctoral Fellowship. In addition to her program of research, Dr. Davis created the viral Twitter Hashtag #BlackintheIvory, which extended a timely opportunity for Blackademic TRUTHtellers to share personal instances (and engage in necessary conversations) about anti-Black racism in academia. She is also the inaugural recipient of the 2021-2022 Faculty of Color Working Group Fellowship funded by the Andrew W. Mellon Foundation to edit a new book for #BlackintheIvory that is set to publish in 2023 by the University of North Carolina Press.

Sarah S. Willen is Associate Professor of Anthropology at UConn and Director of the Research Program on Global Health and Human Rights at the university’s Human Rights Institute. A critical medical anthropologist with a strong phenomenological bent, she has published widely on topics ranging from the sociopolitical dynamics and lived experiences of illegalized migration and human rights activism, to everyday understandings of deservingness, dignity, and flourishing in Israel/Palestine and the U.S. She is author or editor of four books, five special issues, and many articles and book chapters, including the multiple award-winning monograph, Fighting for Dignity: Migrant Lives at Israel’s Margins (University of Pennsylvania Press, 2019). Sarah is Principal Investigator of ARCHES (the AmeRicans’ Conceptions of Health Equity Study), a three-year, interdisciplinary study funded by the Robert Wood Johnson Foundation, and Co-Founder of the Pandemic Journaling Project—the focus of her UCHI talk and project.

Access note

If you require accommodation to attend this event, please contact us at uchi@uconn.edu or by phone (860) 486-9057. We can request ASL interpreting, computer-assisted real time transcription, and other accommodations offered by the Center for Students with Disabilities.

20 Years of Fellows: Asha Bhandary

As part of our 20th anniversary celebrations, we've checked in with former fellows to gather reflections on their fellowship years, to get an update on their fellowship projects, and to see what they are working on next. Read them all here.

Headshot of Asha Bhandary2010–11 Dissertation Research Scholar Asha Bhandary is Associate Professor of Philosophy at the University of Iowa. She is a political philosopher and feminist ethicist whose work incorporates the human need for dependency care at the level of the foundational assumptions, premises and concepts in the liberal tradition. In her published work, which includes her monograph, Freedom to Care: Liberalism, Dependency Care, and Culture (Routledge) she advances a theory of distributive justice for caregiving arrangements that is structured by the liberal values of autonomy and transparency. It defends the importance of an abstract understanding of caregiving arrangements with her concept the “arrow of care map” as a way of tracking distributive inequalities by categories including race, gender, ethnicity, class status.


What was your fellowship project about? Would you give us an update on the project?

As the CLAS Dean’s graduate fellow at UCHI, I was working on my dissertation, which then became my first book, Freedom to Care: Liberalism, Dependency Care, and Culture (Routledge, 2020). The book was the subject of an author-meets-critics session at the 2020 Central APA, a journal symposium in the Critical Review for International Social and Political Philosophy, and several lectures at academic conferences as well as bookstores, including the internationally renowned series Live from Prairie Lights. What I developed during my fellowship year was really one of the cornerstones of the book’s argument. I established that care has to be included as one of the circumstances of justice, working within a framework of liberal political theory. I showed that care has the same or greater value than the other things that are included as circumstances of justice—protection from attack, income and wealth—thereby demonstrating that care is one of these foundational needs. In doing so, I united the existing care ethical literature, which asserts the value of care, with the literature in liberalism that establishes the idea of distributive justice as a system of fair cooperation for everyone.

This cornerstone later became an article that was published in the Journal of Philosophical Research, with a response by Jan Narveson, a well-known libertarian, and with my response to him. It was that variety of interlocutor I had in mind when I developed that argument—someone who doesn’t necessarily believe that care should be included in our accounts of what is most fundamental to society in our accounts of justice—the person who thinks that maybe care is a private concern, or that it’s properly the domain of women, or that it just occurs naturally—I was arguing against them.

I continued to develop this project, and to write the book as an assistant professor. The result, my monograph, Freedom to Care, sets forth a new form of liberalism that is an anti-oppression liberalism that incorporates care as well as the facts of group-based oppression into the justificatory structure of liberalism. This form of justification acknowledges that what theorists know is going to be informed by what real people in the world assert as valuable. But, when we’re trying to decide on the parameters for a fair system of social practices, we cannot solely rely on what people assert in our actual conversations. We also need to engage in the kind of abstract theoretical exercise that is the philosopher’s expertise, which creates the possibility of a “metalucidity” (that is Jose Medina’s term to characterize the ability to understand the norms that structure the world around us) about how our assumptions are informed by existing inequalities. To get distance from those existing inequalities, I use a version of John Rawls’ idea of the original position as a modeling device.

How did your fellowship year shape your project, or shape your scholarship in general?

Last month, I completed a semester as a Fellow-in-Residence at a similar research institute at the University of Iowa called the Obermann Center. And my experience at the Humanities Institute at UConn definitely contributed to my interest in applying for that fellowship. At both Institutes, I found that I was in dialogue with other people who genuinely care about their scholarship—who are deeply immersed in it, and engaged in a specific academic debate but who are also interested in discussing it with people outside that debate. As a graduate fellow at UCHI, it was wonderful to be a member of that kind of community as a graduate student. I was one of, I think, two graduate students in our cohort, and then the rest of the fellows were faculty. When you’re in a position like that, you learn so much by absorbing how other people are going about their projects. In terms of how it shaped my scholarship, being part of that interdisciplinary group of scholars helped me learn to articulate my work in a language that is understandable to people who aren’t just at the interior of the debate. For philosophers, that’s really important because it helps us test whether what we’re doing matters. Being able to talk about your work in more general terms applies pressure to the ideas, because you have to think about what other people are talking about and what they value and how to translate the work that you’re doing into language that’s going to make sense to people from a wide variety of backgrounds. Of course, this is always a huge challenge for academics, because we’re working in highly specialized areas, within which we’re contributing to specialized debates. Moving back and forth between that specialized debate, where we’re making a really specific refinement in a concept, and then talking about the work more broadly is difficult. I think that being a fellow at the Humanities Institute helped me begin to gain this skill at a very early stage of my career.

Would you share a favorite memory from your time as a UCHI fellow?

Again, the context for this is that as a graduate student, I was very early in my career. I remember an interaction with one of the senior scholars that led me to conclude that she was totally Boss. In a conversation during her office hours, she told me that that if she had to leave her writing for household responsibilities, (maybe she had a baby, I don’t quite remember) she would wait until her writing reached a logical stopping point, and her husband just had to wait. Those insights about how female intellectuals manage micro-interactions are incredibly valuable early in one’s career.

What are you working on now (or next)?

I just published a co-edited volume called Caring for Liberalism (Routledge 2021) and I’m going to be speaking at a panel related to it at the Pacific APA in Vancouver this April. I’m also working on a response to critics for another symposium on Freedom to Care, which will be in the journal Dialogue: The Canadian Philosophical Review. This summer, I will be one of the Distinguished Visiting speakers at the NEH Summer Institute Philosophical Perspectives on Giving, Receiving, and Conceiving Care. Right now, my new writing is for an article for the journal philosophies that is connected to my next monograph,
provisionally titled Being at Home: Liberal Autonomy in an Unjust World.

In it, I’m thinking about how to conceptualize autonomy when you begin from the subject position of a woman of color. To do so, I am combining personal narratives with philosophical analysis to yield a plural account of autonomy. Self-sovereignty is one part of autonomy; that’s the "this is my domain, don’t mess with me," component. Then there’s an authenticity component: Who are you really? How can you act in a way that’s true to who you really are? In addition, I am also thinking about the way affordances in the world are informed by racialized entitlements, which also brings me into bioethics. This new project is an extension of the theory in my first monograph, where I look at caregiving arrangements and show how our caregiver arrangements are unjust and need to be rectified. The new book will establish a link between thinking from the subject position of a woman of color who asserts full claimant status, to the demands for a just society that includes justice in caregiving arrangements. Because women of color are so often the repository of needs of others, globally, women of color are not granted full claimant status in informal spaces. In interactions when women of color assert full claimant status, we are often met with various forms of resistance—anger, confusion, hostility. This experience of resistance changes how we should think about autonomy because I take seriously that women of color are autonomous.

My research overall, is an ambitious program in political philosophy that evaluates the nature of entitlements, distributive justice, freedom, and autonomy in a way that is informed by through feminist and anti-racist philosophy. In Being at Home, I continue that project by drilling down into the concept of autonomy and then also looking at the way that we're autonomous in the world as it is—in a nonideal world—where part of what everyone wants is to achieve a state of “being at home” in the world. An explication of this state of being at home is something I developed in chapter nine of Freedom to Care. It’s a state of affairs where you have access to your valued relationships and you have access to other essential goods. In the new book, I’m looking at the relationship between being at home and autonomy, which occurs against the backdrop of our society.

Our theme for UCHI’s 20th anniversary year is “The Future of Knowledge.” What would you say are some of the challenges facing the future of knowledge? And what do you think is most exciting or promising about the future of knowledge?

People’s social media habits create challenges for our habits of mind—in particular, for our ability to think independently and clearly and to maintain habits of mind that allow for intensive concentration. And this is a challenge that I think about for myself, as a professor, as a mother with two children, a teenager and a seven-year-old. I strive to protect my kids’ brains for sustained concentration that is not interrupted or filled in by the thoughts of others. We do that by limiting their access to technology more substantially than most people. However, on the other side of the equation about the goods of technology in relation to knowledge, is that social media platforms have upended gatekeeping practices in ways that are really exciting. For instance, in popular culture, there is so much more diversity in the voices that we can have access to—that we can read and listen to and watch. That this transition happened as rapidly as it did was because of technology and social media.