Fellow’s Talk: Sarah Winter on Habeas Corpus and Human Rights Narratives

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2020-21 Fellow's talk. The Right to a Remedy: Habeas Corpus, Eighteenth-Century Abolitionism, and Human Rights Narrative. Profess of English, Sarah Winter with a response by Melanie Newport. Live. Online. Registration required. March 17, 2021, 2:00pm. UConn Humanities Institute.

The Right to a Remedy: Habeas Corpus, Eighteenth-Century Abolitionism, and Human Rights Narratives

Sarah Winter (Professor of English, UConn)

with a response by Melanie Newport

Wednesday, March 17, 2021, 4:00pm (Online—Register here)

On 19 March 1783, Olaudah Equiano, a merchant seaman and former slave, visited the London home of antislavery activist Granville Sharp, to report a recent trial in which the owners of the slave ship Zong had sued to recover their insured losses on a cargo of 132 trafficked and enslaved Africans, who had allegedly been thrown alive into the sea by the ship’s captain and crew. Determined to hold these perpetrators accountable for mass murder, Sharp assembled a trial transcript and sent it to the Lords of the Admiralty, who had jurisdiction over all crimes committed on English ships at sea, with a cover letter insisting that “our Common Law ought to be deemed competent to find a remedy in all causes of violence and injustice whatosoever.” More than 150 years later, the eminent international lawyer, Hersch Lauterpacht, similarly criticized the framers of the Universal Declaration of Human Rights (1948) for failing to require that nation states enforce the rights they had proclaimed. According to “an inescapable principle of juridical logic,” he wrote, there are “no rights of the individual unless accompanied by remedies.”

This presentation traces historical connections between eighteenth-century abolitionism and modern human rights by focusing on citizen activists’ strategic uses of the writ of habeas corpus, a legal remedy for arbitrary detention that forms the basis for Article 9 of the UDHR. Such legal actions on behalf of fugitive slaves, political dissidents, and women incarcerated by their husbands gave rise to a recurring narrative about the failure of the law to protect human rights. Gothic rather than sentimental in genre, such remedial narratives urged citizens to take responsibility for human rights violations committed out of public view or under color of law—in prisons, out at sea, or behind closed doors.

Sarah Winter is Professor of English and Comparative Literary and Cultural Studies at the University of Connecticut, Storrs, and the Director of the Research Program on Humanitarianism at the UConn Human Rights Institute. An interdisciplinary scholar of British literature of the long nineteenth century and the history of the modern disciplines, she has also contributed chapters to edited collections on law and literature, the history of legal and political thought, and human rights and literature. Her research for her current book project has also been supported by grants from the National Endowment for the Humanities and the UConn Human Rights Institute.

Melanie D. Newport is an assistant professor of history at UConn’s Hartford campus and affiliated faculty in American Studies and Urban and Community Studies. She holds a BA from Pacific Lutheran University, an MA from the University of Utah, and PhD from Temple University. Her current book project, under contract with University of Pennsylvania Press’ Politics and Culture in Modern America series, explores the political history of jail reform in Chicago from the 1830s to the present. Prior to joining the UConn Faculty in 2016, she taught at Temple University, Community College of Philadelphia, and Garden State Youth Correctional Facility. Newport’s work has been supported by the Center for the Humanities at Temple, the Black Metropolis Research Consortium, and the University of Illinois at Chicago and University of Chicago libraries.

Registration is required for the event.

If you require accommodation to attend this event, please contact us at uchi@uconn.edu or by phone (860) 486-9057.

UCHI Stands in Solidarity with the UConn Association for Asian American Faculty and Staff

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The UConn Humanities Institute stands in solidarity with the UConn Association for Asian American Faculty and Staff in their commitment to combatting anti-Asian racism and in condemning the recent rise in anti-Asian violence across the United States, in Connecticut, and at UConn. Please read their full statement below.

Download the statement as a PDF

UCONN ASSOCIATION FOR ASIAN AMERICAN FACULTY AND STAFF (AAAFS) STATEMENT ON ANTI-ASIAN VIOLENCE

The first cases of Covid-19 in the United States were reported in January 2020, and since that time there has been a massive increase in anti-Asian violence across the United States. STOP AAPI HATE notes that hundreds and sometimes thousands of reported incidents occur every month. They report that incidents of verbal attacks, avoidance, physical assault, online harassment, and being spit upon are the most common forms. A recent New York Times article also details many of the abhorrent and deplorable crimes and actions that have targeted Asians over the last year. It is a sad compendium of history and facts that delves into the nuances and complications related to anti-Asian racism. Nationally, attacks are most common in businesses, public streets and sidewalks, parks, online and in public transit, but they also happen here at UConn.

UConn’s commitment to combatting anti-Asian racism began in 1987 with an episode of students’ verbal attacks and spitting on other Asian American peers. What can we say has changed in 33 years? Certainly, our resolve and commitment to the community has only strengthened in these decades, while the number of Asians and Asian Americans at the University has grown significantly. At UConn, there are thousands who identify as Asian and Asian American: 12.7% of the University’s workforce (faculty, staff, administrators, and graduate assistants; Fall 2019), and 10.5% of our students (Fall 2020). In addition, a significant percentage of our international students come from Asian countries.

Mike Keo, Activist-in-Residence of UConn’s Asian and Asian American Studies Institute, started the social media campaign #IAMNOTAVIRUS to humanize Asians and Asian Americans targeted by hateful rhetoric, and to counter this virulent and unwarranted malice. We release this statement in the same spirit, to:

    • draw appropriate attention to the intensifying violence against Asians in America;
    • formally state our position in this ongoing conflict of systems, cultures, histories, and sensibilities;
    • and call upon faculty, staff, administrators, and all UConn students and stakeholders to rise to the challenge of actively opposing racism and hate against Asians, all marginalized groups, and all peoples of color.

We state as clearly and as boldly as we can: all of this has impacted us, the Asians and Asian Americans at UConn. What is happening is wrong and we must stand together to not only identify and call-out this kind of behavior and its bad actors; but we must work systemically and synergistically to change culpable aspects of our university and society, to ultimately eradicate this malignancy.

Though today’s political climate often attempts to polarize such issues and concerns, we hope that you will see that this is not a political comment. Rather, it is a call for solidarity and commitment, awareness and understanding, attention and action. We stand with our fellow peer groups and associations, institutes and centers, and student organizations at UConn that are committed to combating the prejudiced, racist, harmful, and violent actions and words that attempt to marginalize and divide us even further. We hope that all of UConn will not only stand behind us, your Asian and Asian American colleagues, but stand with us, as we form even greater bonds and grow in numbers and strength across the university.

For we refuse to wear the moniker of the ‘model minority.’ Because of this racial stereotype, Asian Americans are too often left out of discussions of racial justice, thus ignoring our pain, minimizing our feelings, and assuming a passive response. We call on the University’s Administration to formally recognize that anti-racist work must account for the historical legacy and impact of racism on all peoples of color, including Asians. Further, we call on the University’s Administration to not only condemn recent acts of violence against Asians, but also consciously recognize the impact that these acts have on our UConn family. Even during the unprecedented times we are living through now—battling the Covid-19 pandemic; addressing the scourge of systemic racism; and navigating economic insecurity and inequity for millions of people—we ask the UConn Administration to see that this is exactly the right time to ensure, specifically and concretely, that the lens of justice sees all shades of Yellow, Black, and Brown.

As part of our work as a cultural organization at the University, we will host a virtual panel on March 18, from 5-6:30pm. “Asians in America: Anti-Asian Violence and the Fight Against Invisibility” will feature UConn students, faculty, and staff; provide perspectives on today’s climate and its impact on UConn’s Asian and Asian American community; shed light on our experience; and galvanize anti-racist efforts that will benefit us all. To register for the event, please click here.

We also encourage you to access resources and organizations such as STOP AAPI HATE, HateIsAVirus.org, Asian Americans Advancing Justice, and Chinese for Affirmative Action, to name a few. At UConn, please communicate with your peers and colleagues, with your supervisors, and with the administration, to let them know where you stand, and your need for allyship and support.

The Association for Asian American Faculty and Staff hopes that we can work more closely with you and yours each and every day to combat racism, stifle prejudice, and ultimately deconstruct the systems and structures at our university and within society that uphold the American caste system where all shades darker than white are consciously and subconsciously considered less-than.

This struggle began centuries ago; it takes on new forms today; and will continue tomorrow, and the next. If our work helps us to achieve greater unity, then we will have found success.

Yours in solidarity,

The Executive Board of the Association for Asian American Faculty and Staff
The Asian American Cultural Center
The Asian and Asian American Studies Institute

CONTACT: asacc@uconn.edu

You Should… Read: Servigne and Stevens’s How Everything Can Collapse (2015) (Daniel Pfeiffer, UConn English)

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how everything can collapse book cover“Overindulging in this [message board] may be detrimental to your mental health. Anxiety and depression are common reactions when studying collapse,” warn the moderators of a Reddit message board bluntly titled “Collapse of Civilization.” Users of this board collect the news stories that the rest of us train ourselves to take in small doses: climate destruction and economic freefalls, food shortages and energy crises, and social breakdown and political corruption. The rare story about a stray comet headed toward Earth is about as hopeful as this community allows itself to be. There is no “rising to the occasion” or “hope for a sustainable future” for these users: only a thousand stories leading to the same damning conclusion of complete global collapse.

At first blush, the provocative, newly-translated book by French agronomist Pablo Servigne and eco-consultant Raphaël Stevens, How Everything Can Collapse: A Manual for Our Times (2020 [2015]), appears to share the same pessimism. Drawing on a wide swath of cross-disciplinary research, Servigne and Stevens map out their own case for civilizational collapse worldwide, centering primarily on interlocking ecological catastrophes, financial meltdowns, and energy shortages. By their reckoning, this collapse isn’t far off, and we don’t have enough time left to find a global off-ramp or enact incremental policy measures. The collapse is likely going to happen during our lifetimes. Oh, and it is unavoidable. “In fact, there are not even any ‘solutions’ to our predicament,” they write.

But what distinguishes Servigne and Stevens’s project from the doom spiral of online fatalism is how they conclude the previous sentence: there are no solutions, “just paths we can pursue to adapt to our new reality.” In short, while “collapse” may be inevitable, our reactions to it need not resemble a post-apocalyptic world of the Mad Max or Children of Men variety. Servigne and Stevens call for a sort of societal doomsday prepping, which would build and emphasize local resilience, community support networks, innovative art, and, above all, a climate of trust to rebuild a humane future from the wreckage of collapse.

Readers will likely bristle against the authors’ insistence that collapse is a foregone conclusion and may want to dismiss the book as no more than an exercise in morbid speculation or paranoid thinking. But the broader question that How Everything Can Collapse asks hits at the core of this year’s UConn Reads theme of “Environmental Justice and Human Rights.” How can we fortify our communities and repair our commitments to one another in order to imagine a just, humane future, even should the worst come to pass? For Servigne and Stevens, the end of civilization need not mean the end of humanity but might, instead, invite its renewal.

–Daniel Pfeiffer
Ph.D. candidate
English

Daniel Pfeiffer headshotWho is Daniel Pfeiffer? Daniel Pfeiffer is a Ph.D. candidate in UConn’s English Department and a research assistant at the UConn Humanities Institute. He is writing his dissertation on the New York City art novel after the creative economic turn.

Fellow’s Talk: Helen Rozwadowski on Science as Frontier

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Fellow's talk 2020–21. New Horizons: How Science Became a Frontier in the First Half of the 20th Century. Professor of History, UConn Helen Rozwadowski, with a response by Elizabeth Athens. Live. Online. Registration required. March 10, 2021, 4:00pm. UConn Humanities Institute.

New Horizons: How Science Became a Frontier in the First Half of the 20th Century

Helen M. Rozwadowski (Professor of History, UConn)

with a response by Elizabeth Athens

Wednesday, March 10, 2021, 4:00pm (Online—Register here)

Most people, certainly most Americans, have a ready set of associations for the word “frontier,” including Disney’s Frontierland, 1950s western films, the borderlands of Mexico and the United States, or outer space. Over the first half of the twentieth century, science and technology also became frontiers. Scientists, boosters, popular writers, and public intellectuals seized upon the US historian Frederick Jackson Turner’s formulation of the frontier of the American West (The Frontier in American History, 1920) and transformed a term of geography into one that stood for progress. They integrated Turner’s frontier with a thread of European internationalist thinking about frontiers and applied this novel concept to the natural sciences. Science would fuel economic growth, provide an outlet for the restlessness of American individualism, and ensure democracy and national progress. The ideological flexibility of frontier proved valuable for commentators who rendered science into a frontier that appeared to promise endless progress purportedly without the violence and exploitation of its namesake US western frontier.

Founder of the University of Connecticut’s Maritime Studies program, Helen M. Rozwadowski teaches history of science and environmental history as well as interdisciplinary and experiential maritime-related courses. She has spent her career encouraging scholars and students to join in writing the history of interconnections between oceans and people. Her book on the 19th-century scientific and cultural discovery of the depths, Fathoming the Ocean: The Discovery and Exploration of the Deep Sea, won the History of Science Society’s Davis Prize for best book directed to a wide public audience. In The Sea Knows No Boundaries she explores the history of 20th-century marine sciences that support international fisheries and marine environmental management. Recently she has co-edited Soundings and Crossings: Doing Science at Sea 1800-1970, one of several volumes that have established the field of history of oceanography. Her recent book, Vast Expanses: A History of the Oceans (Reaktion Books, 2018), which won the Sharon Harris Book Award from UCHI in 2019, has come out in a Korean edition in 2019 and a Chinese edition in 2020.

Elizabeth Athens is Assistant Professor of Art History at the University of Connecticut, where she teaches courses on museum studies, histories of collecting, and material culture. She previously served as part of the research team for the History of Early American Landscape Design database at the Center for Advanced Study in the Visual Arts in Washington, D.C., and as the American art curator of the Worcester Art Museum. Her current research centers on the work of the American artist-naturalist William Bartram (1739–1823), whose efforts helped redirect the taxonomic focus of eighteenth-century natural history to the study of lived relationships. This project examines Bartram’s unusual graphic practice and how his natural history drawings helped articulate such a shift.

Registration is required for the event.

If you require accommodation to attend this event, please contact us at uchi@uconn.edu or by phone (860) 486-9057.

Congrats, Britney Murphy

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Congrats to UConn History Ph.D. Candidate Britney Murphy, who has been named a 2021 Humanities Without Walls (HWW) pre-doctoral workshop fellow. Murphy will join a cohort of other graduate students for a national, virtual summer workshop for doctoral students interested in learning about careers outside of the academy and/or the tenure track system. Through a series of workshops, talks, and virtual field trips, Murphy and the other participants will learn how to leverage their skills and training towards careers in the private sector, the non-profit world, arts administration, public media and many other fields.

HWW is a consortium of humanities centers and institutes at 16 major research universities throughout the Midwest and beyond.

The Political Theory Workshop Presents: Richard Dagger

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THE POLITICAL THEORY WORKSHOP PRESENTS

Republicanism and the Rule of Law

Richard Dagger, University of Richmond
with Dabney Waring, Ph.D. Student, Political Science, UConn, as discussant
March 5th, 2021, 12:15–1:30pm on Zoom

Richard Dagger is the E. Claiborne Robins Distinguished Chair in the Liberal Arts at the University of Richmond, where he holds a joint appointment in Political Science and in the Philosophy, Politics, Economics, and Law Program. Professor Dagger’s publications include numerous essays in political and legal philosophy, with special attention to political obligation, the justification of punishment, and republicanism. The first two interests are reflected in his Playing Fair: Political Obligation and the Problems of Punishment (Oxford University Press, 2018). The interest in republicanism is central to his Civic Virtues: Rights, Citizenship, and Republican Liberalism (Oxford University Press, 1997), which won the Elaine and David Spitz Prize of the Conference for the Study of Political Thought in 1999. He is also co-author of a textbook, Political Ideologies and the Democratic Ideal (Routledge, 11th edition), and co-editor of a companion book of readings, Ideals and Ideologies: A Reader (Routledge, 11th edition).

With generous support from the UConn Humanities Institute.

Questions? Email jane.gordon@uconn.edu

Download the Poster.

Fellow’s Talk: Melanie Newport on Prisoner Lives

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2020–21 UCHI Fellow's Talk. Forgotten Men: Media and Prisoner Lives in Cook County Jails, 1954–1958. Assistant Professor of History Melanie Newport, with a response by Nicole Breault. Live. Online. Registration required. March 3, 2021, 4:00pm.

Forgotten Men: Media and Prisoner Lives in Cook County Jail, 1954–1958

Melanie Newport (Assistant Professor of History, UConn)

with a response by Nicole Breault

Wednesday, March 3, 2021, 4:00pm (Online—Register here)

Early in the COVID crisis, Cook County Jail in Chicago gained renown as one of the nation’s top sites of infection. Amid protests over the jail’s failure to protect the health and safety of prisoners, an incarcerated person put a note in the jail window: HELP. WE MATTER 2. A picture of the note became a symbol of prisoner humanity that was shared around the world.

This presentation places this act of resistance within a deeper history of prisoner life and struggle in one of the nation’s largest jails. Looking to a unique moment in the 1950s, this paper considers how prisoners—self-identified as “forgotten men”— used media, including a jail newspaper and a tv show, to assert their humanity and their visions for jail reform. As part of a larger study that considers how jail reform shaped the rise of mass incarceration, these sources show that incarcerated people participated in lively debates over the meanings and outcomes of jailing. Jailed people used media to assert their worthiness of participation in the postwar liberal project as they struggled to mitigate the harms of the nascent carceral state.

Melanie D. Newport is an assistant professor of history at UConn’s Hartford campus and affiliated faculty in American Studies and Urban and Community Studies. She holds a BA from Pacific Lutheran University, an MA from the University of Utah, and PhD from Temple University. Her current book project, under contract with University of Pennsylvania Press’ Politics and Culture in Modern America series, explores the political history of jail reform in Chicago from the 1830s to the present. Prior to joining the UConn Faculty in 2016, she taught at Temple University, Community College of Philadelphia, and Garden State Youth Correctional Facility. Newport’s work has been supported by the Center for the Humanities at Temple, the Black Metropolis Research Consortium, and the University of Illinois at Chicago and University of Chicago libraries.

Nicole Breault is a fifth-year doctoral candidate in the Department of History. Her research interests are in early American legal and social history with an emphasis on urban governance, institutions, gender, and space. She earned a B.A. from the University of Vermont and an M.A. from the University of Massachusetts Boston. Her research has been awarded fellowships at the Massachusetts Historical Society, New England Regional Fellowship Consortium, the Boston Athenæum, and the Huntington Library, as well as a Littleton-Griswold Grant by the American Historical Association. Currently, Nicole is the Draper Dissertation Fellow at the UConn Humanities Institute working on her dissertation “The Night Watch of Boston: Law and Governance in Eighteenth-Century British America.”

Registration is required for the event.

If you require accommodation to attend this event, please contact us at uchi@uconn.edu or by phone (860) 486-9057.

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You Should…Listen to the Joni Mitchell Archives—Volume 1: The Early Years (1963–1967) (Peter Kaminsky, UConn Music)

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Joni Mitchell Archives Volume 1 cover artPrior to her debut album release Song to a Seagull in March 1968, the Archives provides a fascinating chronicle of Joni Mitchell’s development as singer, guitarist, and above all, songwriter. Comprised of radio and television broadcasts, club dates, and home recordings on 5 CDs, we witness her transformation from folksinger of traditional and authored songs (“House of the Rising Sun,” Woody Guthrie’s “Deportee”) to becoming one of the greatest singer-songwriters of the 20th century. The collection includes early versions of iconic songs like “Urge for Going,” “Chelsea Morning, “Both Sides Now,” and “The Circle Game,” as well as over 25 previously unreleased original songs.

The UConn School of Fine Arts is hosting an online international Joni Mitchell conference on Friday April 9, 2021 featuring renowned scholars on her music and performances by students in the Department of Music. My co-researcher Megan Lyons and I will be presenting our research on the Archives at the morning session. Admission to the conference is free to the UConn Husky community. Information and registration is available on the conference website.

—Peter Kaminsky
Professor of Music Theory
Music, University of Connecticut

Kaminsky HeadshotWho is Peter Kaminsky? Peter Kaminsky taught at the University of California, Santa Barbara, and at Louisiana State University before joining the University of Connecticut faculty in 1993. His research interests include the music of Ravel, text-music relationships, popular music, structural principles in cyclic works, and, recently, performance and analysis and its pedagogy. He has published articles and reviews in Music Theory Spectrum, Music Analysis, Theoria, College Music Symposium, Music Theory Online, Theory and Practice, The Cambridge Companion to Ravel, and the Zeitschrift der Gesellschaft für Musiktheorie. Kaminsky is editor and contributor to Unmasking Ravel: New Perspectives on the Music (forthcoming, University of Rochester Press).

Fellow’s Talk: Amy Meyers on William Bartram

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2020-2021 Fellow's Talk. Of "Men and Manners" in the Work of William Bartram. UCHI Visiting Fellow Amy Meyers, with a response by Sean Frederick Forbes. Live. Online. Registration required. February 24, 2021, 4:00pm.

Of “Men and Manners” in the Work of William Bartram

Amy Meyers (Visiting Fellow, UCHI)

with a response by Sean Frederick Forbes

Wednesday, February 24, 2021, 4:00pm (Online—Register here)

The verbal and visual portrayals of the flora and fauna of the North American continent by William Bartram (1739-1823) have long been interpreted as some of the first studies of environmental interchange executed by a naturalist of European descent. Yet Bartram’s writings on the Indigenous Americans of the Southeast, with whom he spent extended periods of time on two expeditions in the 1760s and 1770s, and the few drawings that he produced relating to American Indian life, have not been analyzed in the same terms. Excellent studies of Bartram’s unusual empathy for—and admiration of—the peoples he was encountering, (particularly the Creek, Seminole, and Cherokee) have been written in recent years, but little attention has been paid to the ways in which he utilized the models of environmental interplay that he established in his analysis of animals and plants to comprehend the complex and rapidly shifting relationships among the human societies that became the object of his examination. In this talk, Amy Meyers will discuss Bartram’s understanding of the long history of human migration, competition, and alliance that he observed as defining human interaction, and which he understood as applicable to all peoples, including those of European origin. Meyers also will examine Bartram’s deep concern for the preservation of American Indian cultures, and his anxiety over a national policy of assimilation which he felt compelled to support in the face of impending genocide. In the course of her discussion, Meyers will contrast Bartram’s attitudes toward Indigenous Americans with his views of, and behavior towards, enslaved peoples of African descent, whom he regarded with far less sympathy and understanding.

Amy Meyers (Yale PhD, American Studies, 1985) retired from the directorship of the Yale Center for British Art in June of 2019. Prior to her appointment in July of 2002, she spent much of her career at research institutes, including Dumbarton Oaks; the Center for Advanced Study in Visual Arts at the National Gallery of Art, Washington, D.C.; and The Huntington Library, Art Museum, and Botanical Gardens, where she served as Curator of American Art from 1988 through June of 2002. Meyers has written extensively on the visual and material culture of natural history in the transatlantic world, serving as editor of Knowing Nature: Art and Science in Philadelphia, 1740 to 1840 (Yale University Press, 2011, with the assistance of Lisa Ford). She also has edited, with Harold Cook and Pamela Smith, Ways of Making and Knowing: The Material Culture of Empirical Knowledge (University of Michigan Press, 2011); with Therese O’Malley, The Art of Natural History: Illustrated Treatises and Botanical Paintings, 1400-1850 (National Gallery of Art, Studies in The History of Art Series, 2008); Art and Science in America: Issues of Representation (The Huntington, 1998); and, with Margaret Pritchard, Empire’s Nature: Mark Catesby’s New World Vision (University of North Carolina Press, 1998). With Therese O’Malley, Meyers currently is organizing an exhibition with the working title of William Bartram and the Origins of American Environmental Thought. The project will bring together for the first time a wide selection of Bartram’s extraordinary drawings to examine his integrated view of nature and the emergence of environmental thought in North America, from the colonial period through the first decades of the republic.

Sean Frederick Forbes is an Assistant Professor-in-Residence of English and the Director of the Creative Writing Program at the University of Connecticut. His poems have appeared in Chagrin River Review, Sargasso, A Journal of Caribbean Literature, Language, and Culture, Crab Orchard Review, Long River Review, and Midwest Quarterly. In 2009, he received a Woodrow Wilson Mellon Mays University Fellows Travel and Research Grant for travel to Providencia, Colombia. Providencia, his first book of poetry, was published in 2013. He has co-edited two collections of personal narratives titled What Does It Mean to be White in America? Breaking the White Code of Silence: Personal Narratives by White Americans (2016) and The Beiging of America: Being Mixed Race in the 21st Century (2017). He serves as the poetry editor for New Square, the official publication of The Sancho Panza Literary Society for which he is a founding member. In 2017, he received first place in the Nutmeg Poetry Contest from the Connecticut Poetry Society.

Registration is required for the event.

If you require accommodation to attend this event, please contact us at uchi@uconn.edu or by phone (860) 486-9057.

The Humanities and Science Working Group Presents Gitanjali Shahani

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The Humanities and Science Working Group would like to invite you to Science Race, and Early Modern Food Studies. A conversation with Gitanjali G. Shahani. Author of Tasting Difference: Food, Race, and Cultural Encounters in Early Modern Literature. Registration is required. February 23, 2021, 12:00pm.

THE HUMANITIES AND SCIENCE WORKING GROUP PRESENTS

Science, Race, and Early Modern Food Studies

Gitanjali Shahani, English, San Francisco State University
February 23, 2021, 12:00p.m.

Live. Online. Registration required.

The Humanities and Science Working Group will be reading the Introduction and Chapter One (“Spices: ‘The Spicèd Indian Air’ in Shakespeare’s England”) from Dr. Shahani’s book. The e-book is available through UConn Library. If anyone needs copies directly, they can email Debapriya Sarkar (debapriya.sarkar@uconn.edu).

Gitanjali Shahani is Professor of English at San Francisco State University, where she teaches courses on Shakespeare studies, postcolonial studies, and food studies. She is the author of Tasting Difference: Food, Race, and Cultural Encounters in Early Modern Literature (Cornell University Press, 2020). She has edited two collections, Food and Literature (Cambridge University Press, 2019) and Emissaries in Early Modern Literature & Culture (Routledge 2016, Ashgate 2009, with Brinda Charry). Her articles on race and colonialism in early modern literature have been published in numerous collections and journals, including Shakespeare, Shakespeare Studies, and The Journal of Early Modern Cultural Studies.

With generous support from the UConn Humanities Institute.